“You have indeed, sir,” interrupted Mrs. Coates, “stood so that nobody could see nothing but yourself. So, since you mention it, and speak without an introduction, excuse me if I suggest, against the next act, that this young lady has never been at a play before in her life--in Lon’on, at least. And though it i’n’t the play I should have chose for her, yet since she is here, ‘tis better she should see something than nothing, if gentlemen will give her leave.” I bowed in sign of submission and repentance; and was retiring, so as to leave my place vacant, and a full opening to the stage. But in a sweet, gentlewomanlike voice, seeming, perhaps, more delightful from contrast, the young lady said that she had seen and could see quite as much as she wished of the play; and she begged that I would not quit my place. “I should oblige her,” she added, in a lower tone, “if I would continue to stand as I had done.” I obeyed, and placed myself so as to screen her from observation during the whole of the next act. But now, my pleasure in the play was over. I could no longer enjoy Macklin’s incomparable acting; I was so apprehensive of the pain which it must give to the young Jewess. At every stroke, characteristic of the skilful actor, or of the master poet, I felt a strange mixture of admiration and regret. I almost wished that Shakspeare had not written, or Macklin had not acted the part so powerfully: my imagination formed such a strong conception of the pain the Jewess was feeling, and my inverted sympathy, if I may so call it, so overpowered my direct and natural feelings, that at every fresh development of the Jew’s villany I shrunk as though I had myself been a Jew. Each exclamation against this dog of a Jew, and still more every general reflection on Jewish usury, avarice, and cruelty, I felt poignantly. No power of imagination could make me pity Shylock, but I felt the force of some of his appeals to justice; and some passages struck me in quite a new light on the Jewish side of the question. “Many a time, and oft, In the Rialto, you have rated me, About my moneys and my usances; Still have I borne it with a patient shrug; For sufferance is the badge of all our tribe. You call me misbeliever! cut-throat dog! And spit upon my Jewish gabardine; And all, for use of that which is my own. Well, then, it now appears you need my help. Go to, then--you come to me, and you say, Shylock, we would have moneys; you say so. Shall I bend low, and in a bondsman key, With bated breath, and whisp’ring humbleness, Say this: Fair sir, you spit on me last Wednesday; You spurned me such a day; another time You called me dog; and for these courtesies I’ll lend you thus much moneys?”