English fiction -- 19th century; Marriage -- Fiction
She had been awake, then, to the thrusting and parrying behind masked
language.
'Good. You are quite decided, I may suppose.'
'I will leave them when I have a little money, or when I know of how I
may earn some.'
'The Countess of Fleetwood earning a little money?'
'I can put aside your title, my lord.'
'No, you can't put it aside while the man with the title lives, not even
if you're running off in earnest, under a dozen Welsh names. Why should
you desire to do it? The title entitles you to the command of half my
possessions. As to the house; don't be alarmed; you will not have to
guard your rooms. The extraordinary wild animal you--the impression may
have been produced; I see, I see. If I were in the house, I should not
be rageing at your doors; and it is not my intention to enter the house.
That is, not by right of ownership. You have my word.'
He bowed to her, and walked to the stables.
She had the art of extracting his word from him. The word given, she
went off with it, disengaged mistress of Esslemont. And she might have
the place for residence, but a decent courtesy required that she should
remain at the portico until he was out of sight. She was the first out
of sight, rather insolently.
She returned him without comment the spell he had cast on her, and he
was left to estimate the value of a dirited piece of metal not in the
currency, stamped false coin. An odd sense of impoverishment chilled
him. Chilly weather was afflicting the whole country, he was reminded,
and he paced about hurriedly until his horses were in the shafts. After
all, his driving away would be much more expected of him than a stay at
the house where the Whitechapel Countess resided, chill, dry, talking the
language of early Exercises in English, suitable to her Welshmen. Did
she 'Owain' them every one?
As he whipped along the drive and left that glassy stare of Esslemont
behind him, there came a slap of a reflection:--here, on the box of this
coach, the bride just bursting her sheath sat, and was like warm wax to
take impressions. She was like hard stone to retain them, pretty
evidently. Like women the world over, she thinks only of her side of the
case. Men disdain to plead theirs. Now money is offered her, she
declines it. Formerly, she made it the principal subject of her
conversation.
Turn the mind to something brighter. Fleetwood strung himself to do so,
and became agitated by the question whether the bride sat to left or to
right of him when the South-wester blew-a wind altogether preferable to
the chill North-east. Women, when they are no longer warm, are colder
than the deadliest catarrh wind scything across these islands. Of course
she sat to left of him. In the line of the main road, he remembered a
look he dropped on her, a look over his left shoulder.
Public-domain text, read in full here on John Shaqi.
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