The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
What would Howells have said, if he had read the chapter on “The Virgin
and the Dynamo” in the book of Henry Adams’ education? He regarded love
as a short cut to marriage and marriage as a penitentiary for life. How
disillusioned a moralist the Puritan novelist must have been when he
resorted to a _reductio ad absurdum_ argument in favor of matrimony,
like the following:
The silken texture of the marriage tie bears a strain of wrong and
insult to which no other human relation can be subjected without
lesion; and sometimes (Howells has not counted how often) the
strength that knits society together might appear to the eye of the
faltering faith the curse of those immediately bound by it. Two
people by no means reckless of each other’s rights and feelings,
but even tender of them for the most part, may tear each other’s
heart-strings in this sacred bond with perfect impunity; though if
they were any other two they would not speak or look at each other
again after the outrages they exchange. It is certainly a curious
spectacle, _and doubtless it ought to convince an observer of the
divinity of the institution_.
It certainly does, and also of the monstrous paradoxes to which Puritan
rigorism lead Howells. The wedding ring, the hoop skirt and the
hearse,--such was his romantic outlook of life. William Dean Howells
was anything but a Greek.
CHAPTER IV
_Theodore Dreiser as a Bio-Chemist_
Few books have been subjected to more discussion and criticism than
those of Theodore Dreiser. As a novelist, a short-story writer, an
essayist and a playwright, he never has coaxed his readers. Far from
this; he has even chosen to tire them out. He impersonates a radical
and an almost trivial realism. Critics in sympathy with his writings
ask us to place him in his own time, in order that we may understand
him. He is the historian of a disillusioned America, of an America
which sits anxious among its heaps of riches, an America which has
lost the romantic faith in itself. It is a country of ever-increasing
material comfort and luxury, of quick gains and of tremendous affairs,
a land where the dollar is as rapidly lost as earned. Philanthropy
abroad and merciless competition at home, “an eye for an eye, a tooth
for a tooth,” sensational criminal trials, scandals and panics,--in
brief, the most stupendous utilitarian civilization that the world has
ever seen, a Babel of towers scraping the sky to make it rain more
money: such is America in Theodore Dreiser’s massive and conscientious
“The Financier,” “The Titan,” “An American Tragedy.” However, it would
be a grave mistake from the start if we catalogued him among the social
novelists, in the same class with Frank Norris, Upton Sinclair or Jack
London. He never tried to reform society by his writings.
Public-domain text, read in full here on John Shaqi.
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