The Architectural Review and American Builders' Journal, Aug. 1869 — John Shaqi
The Architectural Review and American Builders' Journal, Aug. 1869Various
General
The Architectural Review and American Builders' Journal, Aug. 1869
Various
Architecture -- Periodicals
to ensure true castings, the bottoms of the plates will naturally be
covered with raised flanges, except at the edges, where they bear on
the beams. These flanges or ribs may assume a decorative form, either
a plain diaper or a larger pattern to form a complete design for the
ceiling when many of them are combined. By a judicious arrangement
of the flanges the actual thickness of the iron may be reduced to
three-eighths, or a quarter of an inch. When deafening is required,
strengthening flanges may also be cast on top of the plates, and
consequently the beams can be placed at wide intervals. The flanges on
the top will then serve to keep the concrete, used for deafening, in
its place, and avoid the cracks which might occur in a large surface
of cement. The deafening may be of any thickness required, and will
serve as a bed for the floor tiles. All that is then required for the
underside is judicious decoration of the beams and floor plates. When
deafening is not required, as in manufacturing buildings, the tops
should be smooth. It has been objected by a manufacturer, to whom I
explained this system of construction, that the floors of iron would
be too cold for the feet of workmen. But it would be very easy to put
down platforms of wood where the men habitually stand. Besides, when
the lower story is heated, the stratum of hot air immediately under the
ceiling would naturally keep the floor at a higher temperature than
that of the air in the room, and the greater conductibility of the
iron would rather tend to warm the feet of those who stand upon it.
The plates, in all cases, being bolted to the flanges of the beams,
would serve as bridging for the floors.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account