The absorbing topic, of course, had been Lemois' outbreak on Mignon and subsequent justification of his conduct. Louis was the most outspoken of all, and, despite Lemois' defence, valiantly espoused the girl's cause, the rest of us with one accord pledging ourselves to fight her battles and Gaston's, no matter at what cost. Brierley even went so far as to offer to relieve Leà, during which blissful interim he would smuggle Mignon in for a brief word of sympathy, but this was frowned upon and abandoned when Herbert reminded us that we were in a sense Lemois' guests and could not, therefore, breed treachery among his servants. To this was added his positive conviction that the girl's sufferings would so tell upon the old man that before many days he would not only regret his attitude, but would abandon his ambitious plans and give her to the man she loved. If Lemois had any such misgivings there was no evidence of it in his manner. But for an occasional wry face when he moved, due to the blow of the overturned sofa, he was in an exceptionally happy frame of mind. Nor did he show the slightest resentment toward any one of us for not agreeing with him. Even when the twilight hour arrived--a restful hour when the fellowship of the group came out strongest, and men voiced the thoughts that lay closest to their hearts--no word escaped him. Music, church architecture, the influence of Rodin and Rostand on the art and literature of our time, French politics--all were touched upon in turn, but not a word of the condition of Gaston's broken head nor the state of Mignon's bleeding heart--nothing so harrowing. Indeed, so gay was he, so full of quaint sayings and odd views of life and things, that when Brierley sat down at the spinet and ran his fingers over the keys, giving us snatches of melodies from the current music of the day, he begged for some mediæval anthems "as a slight apology to my suffering ears," and when Brierley complied with what he claimed was an old Italian chant, having found the original in Padua, Lemois branched off into a homily on church music which evinced such a mastery of the subject that even Brierley, who is something of a musician himself, was filled with amazement. Indeed, the discussion was in danger of becoming so heated that the old man, with a twinkle in his eye, relieved the tension with: