The bracelet with spiral beads has the gold spiral formed of a hammered gold wire, thicker at the middle, where it forms the barrel of the beads. This form is imitated in the three dark lazuli beads down the middle. The triple gold balls, on either side of those, are each beaten hollow and drawn into a thread-hole left at each end; so perfectly wrought are they that only in one instance does the slightest ruck of metal remain. To join the three balls together they were soldered, but without leaving the least excess or difference of colour. In the lowest bracelet the hour-glass-shaped beads are of gold, with one of amethyst between each pair. The gold is doubtless cast, being solid. None of these are pierced, but they were secured by tying round a groove at the middle of each bead. There was also a fourth bracelet with a ball and loop fastening which shows the skill in soldering. The ball is beaten hollow, leaving about a quarter of it open; inside it a hook of gold wire is soldered in without leaving the smallest trace of solder visible. The band round the wrist was formed of very thick black hair plaited with gold wire, which was hammered to exactly the same thickness. We see from these bracelets that casting, chiselling, and soldering were perfectly understood at the beginning of the monarchy. Of about the Ist dynasty there are also copies of spiral shells made by pressing gold foil, perhaps over shells. These were threaded as a necklace, imitating the shell necklaces of earlier ages. On coming to the VIth dynasty (4000 B.C.) we see gold chains (fig. 94) made of rings, each folded into a double loop and put through the next; these may be called loop-in-loop chain. Gold seals (fig. 95) are also found, probably made by foreigners and worn as buttons, like many similar stone buttons. [Illustration: JEWELLERY 93. Bracelets (Ist dynasty) 94. Chain (VIth dynasty) 95. Gold seal (VIth dynasty?) 96. Gold uraeus (XIIth dynasty)] The XIIth dynasty has left us some magnificent groups of jewellery, which were found at Dahshur. The general effect of this work is graceful and sincere in design and pure in colour. There is no glitter and pomp about it, but it has the highest beauty of careful harmony and perfect finish. The tints of the carnelian, turquoise, and lazuli which are used have been precisely chosen for their clear strength of colour, while the Egyptian system of putting a line of gold between two bright colours prevents any dazzling or clashing. The charm of this jewellery lies in the calm, fresh, cool colouring with the unhesitating perfection of the work, which seems to ignore all difficulty or compromise.