The Astonishing History of Troy TownQuiller-Couch, Arthur
General
The Astonishing History of Troy Town
Quiller-Couch, Arthur
Cornwall (England : County) -- Fiction
"I think it must be thunder," he gasped.
"Or a landslip," suggested Sam Buzza.
"Or a paroxysm of Nature," said Mr. Moggridge (though nobody knew
what he meant).
"Or the end of the world," hazarded Mr. Goodwyn-Sandys.
"I beg your pardon," interposed Mrs. Buzza timidly, "but I think it
may be my husband."
"Is your husband a volcano, madam?" snapped Mr. Goodwyn-Sandys,
rather sharply.
Mrs. Buzza might have answered "Yes," with some colour of truth; but
she merely said, "I think it must be his double-bass. My husband is
apt in hours of depression to seek the consolation of that
instrument."
"But, my dear madam, what is the tune?"
"I think," she faltered, "I am not sure, but I rather think, it is
the 'Dead March' in _Saul_."
There was no doubt of it. The notes by this time vibrated piteously
through the party-wall, and with their awful solemnity triumphed over
all conversation. Tones became hushed, as though in the presence of
death; and the Vicar, in his desperate attempts to talk, found his
voice chained without mercy to the slow foot of the dirge. He tried
to laugh.
"Really, this is too absurd--ha! ha! _Tum-tum-tibby-tum_." The
effort ended in ghastly failure. _Thrum-thrum-tiddy-thrum_ went the
Admiral's instrument.
Miss Limpenny grew desperate. "Sophia," she pleaded, "pray sing us
one of your cheerful ballads."
Sophia looked at Mr. Moggridge. He had always turned over the pages
for her so devotedly. Surely he would make some sign now. Alas! all
his eyes were for Mrs. Goodwyn-Sandys.
"I will try," she assented with something dangerously like a sob.
She stepped to the "Collard" at a pace remorselessly timed to the
"Dead March," and chose her ballad--a trifle of Mr. Moggridge's
composition. It would reproach him more sharply than words, she
thought. A cloud of angry tears blurred her sight as she struck the
tinkling prelude.
"A month ago Lysander prayed To Jove,
to Cupid, and to Venus--"
_Thrum-thrum-thrum_ went the double bass next door. Mr. Moggridge
looked up. How thin and reedy Sophia's voice sounded to-night!
He had never thought so before.
"That he might die, if he betrayed
A single vow that passed between us."
"Sweetly touching!" murmured Mrs. Goodwyn-Sandys.
Sophia pursued--
"O careless gods, to hear so ill,
And cheat the maid on you relying;
For false Lysander's thriving still,
And 'tis Corinna lies a-dying."
"Is that all?" asked Mrs. Goodwyn-Sandys as Sophia with flushed
cheeks left the piano.
"That is all--a little effort not worth--"
"Oh, it is yours! But," with a sweet smile, "I ought to have
guessed. You must write a song for me one of these days."
"Do you sing?" cried the delighted Mr. Moggridge.
Sam, who had been waiting for a chance to speak, shouted across the
room--"I say, Miss Limpenny, Mrs. Goodwyn-Sandys will sing if you ask
her."
Public-domain text, read in full here on John Shaqi.
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