The Athelings; or, the Three Gifts. CompleteOliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Complete
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
“Oh, Mr Endicott!--is it poems?” said Agnes, shyly, and with a deepening
colour. The simple girl was almost as much embarrassed asking him about
his book, as if she had been asking about the Transatlantic lady of this
Yankee young gentleman’s love.
“Oh!” said Mr Endicott, discovering suddenly that she addressed
him--“yes. Did you speak to me?--poems?--ah! some little fugitive
matters, to be sure. One has no right to refuse to publish, when
everybody comes to know that one does such things.”
“Refuse?--no, indeed; I think not,” said Agnes, in spite of herself
feeling very much humbled, and speaking very low. This was so elevated a
view of the matter, and her own was so commonplace a one, that the poor
girl was completely crestfallen. She so anxious to get into print; and
this _bonâ fide_ author, doubtless so very much her superior, explaining
how he submitted, and could not help himself! Agnes was entirely put
down.
“Yes, really one ought not to keep everything for one’s own private
enjoyment,” said the magnanimous Mr Endicott, speaking very high up into
the air with his cadenced voice. “I do not approve of too much reserve
on the part of an author myself.”
“And what are they about, Mr Endicott?” asked Marian, with respect, but
by no means so reverentially as Agnes. Mr Endicott actually looked at
Marian; perhaps it was because of her very prosaic and improper
question, perhaps for the sake of the beautiful face.
“About!” said the poet, with benignant disdain. “No, I don’t approve of
narrative poetry; it’s after the time. My sonnets are experiences. I
live them before I write them; that is the true secret of poetry in our
enlightened days.”
Agnes listened, much impressed and cast down. She was far too simple to
perceive how much superior her natural bright impulse, spontaneous and
effusive, was to this sublime concentration. Agnes all her life long had
never lived a sonnet; but she was so sincere and single-minded herself,
that, at the first moment of hearing it, she received all this nonsense
with unhesitating faith. For she had not yet learned to believe in the
possibility of anybody, save villains in books, saying anything which
they did not thoroughly hold as true.
So Agnes retired a little from the conversation. The young genius began
to take herself to task, and was much humiliated by the contrast. Why
had she written that famous story, now lying storm-stayed in the hands
of Mr Burlington? Partly to please herself--partly to please
Mamma--partly because she could not help it. There was no grand motive
in the whole matter. Agnes looked with reverence at Mr Endicott, and sat
down in a corner. She would have been completely conquered if the
sublime American had been content to hold his peace.
Public-domain text, read in full here on John Shaqi.
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