The Athelings; or, the Three Gifts. Vol. 2/3 — John Shaqi
The Athelings; or, the Three Gifts. Vol. 2/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 2/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
Some one else seemed to share the natural thought. “I wonder, mamma, if
this is all for us,” whispered Marian, half frightened, half jesting.
“Are we to make a great revolution in Winterbourne? It looks like it, to
see this storm.”
But Mrs Atheling, who thought it profane to show any levity during a
thunderstorm, checked her pretty daughter with a peremptory “Hush,
child!” and drew her babies closer into her arms. Mrs Atheling’s
thoughts had no leisure to stray to Winterbourne; save for Charlie--and
it was not to be supposed that this same thunder threatened
Bellevue--all her anxieties were here.
But as the din out of doors calmed down, and even as the girls became
accustomed to it, and were able to share in Papa’s calculations as to
the gradual retreat of the thunder as it rolled farther and farther
away, they began to find out and notice the room within which they had
crowded. It had only one window, and was somewhat dark, the small panes
being over-hung and half obscured by a wild forest of clematis, and
sundry stray branches, still bristling with buds, of that pale monthly
rose with evergreen leaves, which covered half the front of the house.
The fireplace had a rather fantastic grate of clear steel, with bright
brass ornaments, so clear and so resplendent as it only could be made by
the labour of years, and was filled, instead of a fire, with soft green
moss, daintily ornamented with the yellow everlasting flowers. Hannah
did not know that these were _immortelles_, and consecrated to the
memory of the dead. It was only her rural and old-maidenly fashion of
decoration, for the same little rustling posies, dry and unfading, were
in the little flower-glasses on the high mantel-shelf, before the little
old dark-complexioned mirror, with little black-and-white transparencies
set in the slender gilding of its frame, which reflected nothing but a
slope of the roof, and one dark portrait hanging as high up as itself
upon the opposite wall. It put the room oddly out of proportion, this
mirror, attracting the eye to its high strip of light, and deluding the
unwary to many a stumble; and Agnes already sat fixedly looking at it,
and at the dark and wrinkled portrait reflected from the other wall.
Before the fireplace, where there was no fire, stood a large
old-fashioned easy-chair, with no one in it. Are you very sure there is
no one in it?--for Papa himself has a certain awe of that
strangely-placed seat, which seems to have stood before that same
fireplace for many a year. In the twilight, Agnes, if you were
alone--you, who of all the family are most inclined to a little
visionary superstition, you would find it very hard to keep from
trembling, or to persuade yourself that Miss Bridget was not there,
where she had spent half a lifetime, sitting in that heavy old
easy-chair.
Public-domain text, read in full here on John Shaqi.
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