The Atlantic Monthly, Volume 13, No. 76, February, 1864: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 13, No. 76, February, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
And such things I have known from the moment when I first stepped from
babyhood into childhood, from the time when life ceased to be a play and
came to have its duties and its sufferings. Always the haunting sense of
a happiness which I was capable of feeling, faint glimpses of a paradise
of which I was a born denizen,--and always, too, the stern knowledge of
the restraints which held me prisoner, the idle longings of an exile.
But would no strong effort of will, no energy of heart or mind, break
the bonds that held me down,--no steady perseverance of purpose win me a
way out of darkness into light? No, for I was a woman, an ugly woman,
whose girlhood had gone by without affection, and whose womanhood was
passing without love,--a woman, poor and dependent on others for daily
bread, and yet so bound by conventional duties to those around her that
to break from them into independence would be to outrage all the
prejudices of those who made her world.
I could plan such escape from my daily and yearly narrowing life, could
dream of myself walking steadfast and unshaken through labor to
independence, could picture a life where, if the heart were not fed, at
least the tastes might be satisfied, could strengthen myself through all
the imaginary details of my going-forth from the narrow surroundings
which made my prison-walls; but when the time came to take the first
step, my courage failed. I could not go out into that world which looked
to me so wide and lonely; the necessity for love was too strong for me,
I must dwell among mine own people. There, at least, was the bond of
custom, there was the affection which grows out of habit; but in the
world what hope had I to win love from strangers, with my repellent
looks, awkward movements, and want of personal attractions?
Public-domain text, read in full here on John Shaqi.
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