Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
Slowly the horror of having had to use physical force against a woman
left Cartaret. He started for a long walk and thought many things. He
thought, as he trudged at last across L'Etoile, how the April
starshine was turning the Arc de Triomphe to silver, and how the
lovers on the benches at the junction of the rue Lauriston and the
avenue Kléber made Napoleon's arch in praise of war a monument to
softer passions. He thought, as he strolled from the avenue d'Eylan
and across the Place Victor Hugo, how the heart of that poet, whose
statue here represented him as so much the politician, must grow warm
when, as now, boys and girls passed arm in arm about the pediment. The
night bore jonquils in her hands and wore a spray of wisteria in her
hair. Brocaded ghosts of the old régime must be pacing a stately
measure at Ranelagh, and all the elves of Spring were dancing in the
Bois.
The Princess was poor. That brought her nearer to him: it gave him a
chance to help her. Cartaret found it hard to be sorry that she was
poor.
CHAPTER IX
BEING THE TRUE REPORT OF A CHAPERONED DÉJEUNER
For she hath breathed celestial air,
And heavenly food hath been her fare,
And heavenly thought and feelings give her face
That heavenly grace.
--Southey: _The Curse of Kehama_.
Sometimes a mattress is doubtless as efficient a means of pressing
one's clothes as any other means, but doubtless always a good deal
depends upon the mattress. By way of general rules, it may be laid
down, for instance, that the mattress employed must not be too thin,
must not be stuffed with a material so gregarious as to gather
together in lumpy communities, and must not sag in the middle.
Cartaret's mattress failed to meet these fundamental requirements, and
when he made his careful toilet on the morning that he was to take
_déjeuner_ at the Room Across the Landing, he became uneasily aware
that his clothes betrayed certain evidences of what had happened to
them. He had been up half a dozen times in the night to rearrange the
garments, in fear of just such a misfortune; but his activities were
badly repaid; the front of the suit bore a series of peculiar
wrinkles, rather like the complicated hatchments on an ancient
family's escutcheon; he could not see how, when the coat was on him,
its back looked, and he was afraid to speculate. With his mirror now
hung high and now standing on the floor, he practiced before it until
he happily discovered that the wrinkles could be given a more or less
reasonable excuse if he could only remember to adopt and assume a
mildly Pre-Raphaelite bearing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account