Country life -- Fiction; France -- Fiction; Love stories
At his very first words I had recognized the Bourbonnais accent of
the muleteer, but I could hardly believe my eyes, so changed was he
for the better in looks. Instead of his coal-dusty smock-frock, his
old leathern gaiters, his battered hat, and his grimy face, he had a
new suit of clothes of fine white woollen stuff streaked with blue,
handsome linen, a straw hat with colored ribbons, his beard trimmed,
his face washed and as rosy as a peach. In short, he was the
handsomest man I ever saw; grand as an oak, well-made in every part
of him, clean-limbed and vigorous; with teeth that were bits of
ivory, eyes like the blades of a knife, and the affable air and
manners of a gentleman. He ogled all the girls, smiled at the
beauties, laughed with the plain ones, and was merry, good company
with every one, encouraging and inspiriting the dancers with eye and
foot and voice (for he did not blow much into his bagpipe, so clever
was he in managing his wind), and shouting between the puffs a dozen
drolleries and funny sayings, which put everybody in good humor for
the evening.
Moreover, instead of doling out exact measure like an ordinary piper,
and stopping short when he had earned his two sous for every couple,
he went on bagpiping a full quarter of an hour, changing his tunes
you couldn't tell how, for they ran into one another without showing
the join; in short, it was the best reel music ever heard, and quite
unknown in our parts, but so enlivening and danceable that we all
seemed to be flying in the air instead of jigging about on the grass.
I think he would have played and we should have danced all night
without getting tired, if it had not been that Père Carnat, hearing
the music from the wine-shop of La Biaude and wondering much that his
son could play so well, came proudly over to listen. But when he saw
his own bagpipe in the hands of a stranger, and François dancing away
without seeing the harm of yielding his place, he was furious; and
pushing the muleteer from behind, he made him jump from the stone on
which he was perched into the very middle of the dancers.
Maître Huriel was a good deal surprised, and turning round he saw
Carnat, red with anger, ordering him to give up the instrument.
You never knew Carnat the piper? He was getting in years even then,
but he was still as sturdy and vicious as an old devil.
The muleteer began by showing fight, but noticing Carnat's white
hair, he returned the bagpipe gently, remarking, "You might have
spoken with more civility, old fellow; but if you don't like me to
take your place I give it up to you,--all the more willingly that I
should like to dance myself, if the young people will allow a
stranger in their company."
"Yes, yes! come and dance! you have earned it," cried the whole
parish, who had turned out to hear the fine music and were charmed
with him,--old and young both.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account