“On my return, I find an apologetic letter from my printer, saying the
third volume will be despatched in a day or two. There has been, it
seems, a meeting (? mutiny) among the printers’ devils; also among the
paper-makers. I never heard of authors _striking work_, as the mechanics
call it, until their masters the booksellers should increase their pay;
but if such a combination could take place, the revolt would now be
general in all branches of literary labour.”[47]
Various other terms were in use in those early days of Paul’s Work,
but of these only two need be noticed here—the “bullet” and the “qui.”
Both refer to somewhat similar results—the “qui” being a contraction
for _quietus est_, when a workman was suspended for lack of work,
implying that he might be reinstated when work became more plentiful;
the “bullet,” again, denoted a discharge on the spot, owing to some
misconduct or fault, for which he was “shot” out of the office
altogether.
CHAPTER XII
END OF OLD PAUL’S WORK
James Ballantyne was not in good health for some years before his death
in 1833. During that time, as we have seen, he was assisted by his
brother Alexander and by John Hughes, son of the Mr. Hughes who came
from Kelso to Paul’s Work. John Hughes, beginning as a compositor, was
afterwards taken into the counting-room to aid in the control of the
business, and in this position he continued till the death of James
Ballantyne. When the trustees opened Ballantyne’s will, they found a
letter instructing them to continue John Hughes in that position till
the testator’s son, John Alexander Ballantyne, came of age, and if the
business were conducted to their satisfaction, John Hughes was then to
receive a substantial interest in the firm.
For a number of years the firm of Ballantyne & Hughes was fairly
successful. About the year 1850, however, it got into trouble, the causes
for which were not far to seek. For one thing, a centralising movement
had been going on for some time. Many literary men were finding it
necessary to live in London for library and other consulting facilities,
and the work naturally followed with the editors and the contributors.
The _Edinburgh Review_, for example, which had been printed for a number
of years at Paul’s Work, was removed to London, for the convenience of
the editor.
Public-domain text, read in full here on John Shaqi.
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