The Bandolero; Or, A Marriage among the MountainsReid, Mayne
History
The Bandolero; Or, A Marriage among the Mountains
Reid, Mayne
Mexico -- History -- 19th century -- Fiction
I had no longer any doubt of their being the daughters of Don Eusebio,
though both were veiled to the eyes. Over the eyes in fact: since their
shawls were carried _tapado_. Instead of hanging from the shoulder,
they were drawn across the crown of the head, and held under the chin--
so as completely to conceal the countenance!
The black Spanish eye sparkling in shadow was all that could have been
seen; though I saw it not: as I was at some distance behind them.
I saw that of Tia Josefa--as she turned, on perceiving my shadow
projected before her on the pavement.
There was a sudden glance, accompanied by the bristling of a fan, as the
maternal hen ruffles her feathers when the shadow of the hawk is seen
sailing towards her chicks.
Only for an instant was I the object of _aunt_ Josefa's suspicion. My
meek look, directed towards the "White Sister," at once reassured her.
I was not the bird of prey she had been cautioned to keep guard against:
and, after a cursory glance at me, she went on after her pair of
proteges.
I did likewise.
Though they were dressed exactly in the same style--wearing black lace
shawls, with high combs holding them above their heads--though their
figures were scarce to be distinguished in height, shape, or
_tournure_--though the backs of both were toward me--I could tell my
chosen at a glance.
There is something in the physical form--less in its muscular
development than its motion--in the play of the arms and limbs--that
proclaims the spirit within. It is that unmistakeable, and yet
undefinable essence we term _grace_; which Nature alone can give, and
Art cannot acquire. It is a quality of the soul; and not belonging to
the body--to the adornment of which it but lends itself.
It proclaimed itself in every movement of Mercedes Villa-Senor--in her
step, her carriage, the raising of her hand, the serpentine undulation
perceptible throughout her whole frame. Every gesture made was a living
illustration of Hogarth's line.
Grace was not denied to Dolores; though to her given in a lesser degree.
There was a sprightliness about her movements that many might have
admired; but which in my mind but poorly compared with the grand,
queen-like, air that characterised the step of her sister.
I soon became aware that they were on their way to the Cathedral--whose
matin bells were filling the streets with their clangour. Other
intended devotees--most of them women, in shawls and _rebosos_--were
hastening across the Piazza Mayor, in the same direction.
Dolores alone looked round. Several times she did so--turning again
towards the Cathedral with an air of evident dissatisfaction.
Her seeing me made not the slightest difference--a stranger accidentally
walking the same way.
I felt no chagrin at her indifference. I divined the cause of it. I
was not "Querido Francisco."
Public-domain text, read in full here on John Shaqi.
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