The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
Hardwicke has, for a very long period, derived romantic interest from
the popular belief that it was one of the prisons of the lovely and
persecuted Queen of Scots. It is, however, certain, that although for a
time in the custody of the Earl of Shrewsbury, she never was immured at
Hardwicke, her prison having been one of the Earl’s “strong castles at
Sheffield;” where she passed twelve weary years in “melyncholy and
grefe,” in “sickness and despair”--the victim of unceasing suspicion,
“in the hopeless monotony of sedentary employment, with an impaired
constitution and a restless mind”--treated with so much severity by the
Countess as to extort from the more humane Earl, in one of his petitions
to the Queen, a complaint against his “wyked and malysious wyfe.”[17]
The House, which has undergone no material change since the time of its
erection, according to Lysons, “exhibits a most complete specimen of the
domestic architecture which prevailed among the higher ranks during the
reign of Queen Elizabeth;” and it remains in its original state, “with
little or no alteration.” The Poet Gray, adopting the popular error,
pictures it as so primitive in character that “one might think the
Scottish Mary was but just walked down into the Park;” and Mrs.
Radcliffe, who described the mansion at some length in her “Tour to the
Lakes,” (1795,) notes the “proud, yet gentle and melancholy look of the
Queen as she slowly passed up the Hall,” and contrasts it with the
“somewhat obsequious, yet jealous and vigilant air” of my Lord Keeper
Shrewsbury.
The name of the Architect who designed and superintended Hardwicke is
unknown; “Gerard Christmas, John Thorpe, and the Smithsons, father and
son, who built Wollaton Hall, in the vicinity, present a probable claim
to this monument of their professional talents.” It is built of stone,
and round the top is a parapet of open work, in which frequently appear
the initials of the founder--E. S.--“memorials of the proud Dame’s
vanity.” The principal front comprehends two hundred and eight feet in
extent.
The structure crowns the summit of a small hill, that commands an
extensive view of the adjacent country, and overlooks a valley of vast
extent, which combines every component of the best English scenery. The
eminence rises somewhat abruptly but very gracefully, and terminates in
a terrace, from whence the prospect is inconceivably grand and
beautiful. Looking over the tops of magnificently grown oaks and yews,
and other forest trees, with which the slopes, immediately beneath, are
thickly studded, the eye ranges over a wide-spreading landscape, to
which Nature has been abundantly bountiful; and the whole is bounded by
the far-famed Peak.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account