Christmas stories, English; England -- Social life and customs -- 19th century -- Fiction
Told as a short one,’ repeated Clemency in the same thoughtful tone, and
without any apparent reference to him, or consciousness of having
auditors, ‘what would there be to tell? That they grieved together, and
remembered her together, like a person dead; that they were so tender of
her, never would reproach her, called her back to one another as she used
to be, and found excuses for her! Every one knows that. I’m sure I do.
No one better,’ added Clemency, wiping her eyes with her hand.
‘And so,’ suggested the stranger.
‘And so,’ said Clemency, taking him up mechanically, and without any
change in her attitude or manner, ‘they at last were married. They were
married on her birth-day—it comes round again to-morrow—very quiet, very
humble like, but very happy. Mr. Alfred said, one night when they were
walking in the orchard, “Grace, shall our wedding-day be Marion’s
birth-day?” And it was.’
‘And they have lived happily together?’ said the stranger.
‘Ay,’ said Clemency. ‘No two people ever more so. They have had no
sorrow but this.’
She raised her head as with a sudden attention to the circumstances under
which she was recalling these events, and looked quickly at the stranger.
Seeing that his face was turned toward the window, and that he seemed
intent upon the prospect, she made some eager signs to her husband, and
pointed to the bill, and moved her mouth as if she were repeating with
great energy, one word or phrase to him over and over again. As she
uttered no sound, and as her dumb motions like most of her gestures were
of a very extraordinary kind, this unintelligible conduct reduced Mr.
Britain to the confines of despair. He stared at the table, at the
stranger, at the spoons, at his wife—followed her pantomime with looks of
deep amazement and perplexity—asked in the same language, was it property
in danger, was it he in danger, was it she—answered her signals with
other signals expressive of the deepest distress and confusion—followed
the motions of her lips—guessed half aloud ‘milk and water,’ ‘monthly
warning,’ ‘mice and walnuts’—and couldn’t approach her meaning.
Clemency gave it up at last, as a hopeless attempt; and moving her chair
by very slow degrees a little nearer to the stranger, sat with her eyes
apparently cast down but glancing sharply at him now and then, waiting
until he should ask some other question. She had not to wait long; for
he said, presently:
‘And what is the after history of the young lady who went away? They
know it, I suppose?’
Clemency shook her head. ‘I’ve heard,’ she said, ‘that Doctor Jeddler is
thought to know more of it than he tells. Miss Grace has had letters
from her sister, saying that she was well and happy, and made much
happier by her being married to Mr. Alfred: and has written letters back.
But there’s a mystery about her life and fortunes, altogether, which
nothing has cleared up to this hour, and which—’
She faltered here, and stopped.
‘And which’—repeated the stranger.
Public-domain text, read in full here on John Shaqi.
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