The Bell in the Fog and Other StoriesAtherton, Gertrude Franklin Horn
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The Bell in the Fog and Other Stories
Atherton, Gertrude Franklin Horn
Gothic fiction; Short stories; United States -- Social life and customs -- Fiction
An hour after dinner he told the husband and nurse to go to bed. For a
while he read, the woman sleeping profoundly. The house was absolutely
still, or seemed to be. Had pandemonium reigned he could hardly have
heard an echo of it from this isolated room. The window was open, but
looked upon roofs and back yards; no sound of carriage wheels rose to
break the quiet. Despite the stillness, the doctor had to strain his ear
to catch the irregular breathing of the sick woman. He had a singular
feeling, although the most unimaginative of men, that this third floor,
containing only himself and the woman, had been sliced from the rest of
the house and hung suspended in space, independent of natural laws. It
was after the book had ceased to interest him that the idea shaped
itself, born of another, as yet unacknowledged, skulking in the recesses
of his brain. At length he laid aside the book, and going to the bed,
looked down upon the woman, coldly, reflectively--exactly as he had
often watched the quivering of an animal--dissected alive in the cause
of science.
Studying this man's face, it was impossible to imagine it agitated by
any passion except thirst for knowledge. The skin was as white as
marble; the profile was straight and mathematical, the mouth a straight
line, the chin as square as that of a chiselled Fate. The jaw was
prominent, powerful, relentless. The eyes were deeply set and gray as
polished steel. The large brow was luminous, very full--an index to the
terrible intellect of the man.
As he looked down on the woman his thin nostrils twitched once and his
lips compressed more firmly. Then he smiled. It was an odd, almost
demoniacal smile.
"A physician," he said, half aloud, "has almost as much power as God.
The idea strikes me that we are the personification of that useful
symbol."
He plunged his hands into his pockets, and walked up and down the long
thickly carpeted room.
"These are the facts in the case," he continued. "The one man I love and
unequivocally respect is tied, hand and foot, to that unsexed
dehumanized morphine receptacle on the bed. She is hopeless. Every known
specific has failed, _must_ fail, for she loves the vice. He has one of
the best brains of this day prolific in brains; a distressing capacity
for affection, human to the core. At the age of forty-two, in the
maturity of his mental powers, he carries with him a constant sickening
sense of humiliation; a proud man, he lives in daily fear of exposure
and shame. At the age of forty-two, in the maturity of his manhood, he
meets the woman who conquers his heart, his imagination, who compels his
faith by making other women abhorrent to him, who allures and maddens
with the certainty of her power to make good his ideal of her. He cannot
marry her; that animal on the bed is capable of living for twenty years.
Public-domain text, read in full here on John Shaqi.
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