The Book of the Pearl: The history, art, science, and industry of the queen of gems — John Shaqi
The Book of the Pearl: The history, art, science, and industry of the queen of gemsKunz, George Frederick
History
The Book of the Pearl: The history, art, science, and industry of the queen of gems
Kunz, George Frederick
Pearls
The color of pearls has no connection with the luster. In general it is
the same as that of the shell in which they are formed. Black pearls are
found in the black shells of Mexico, and pink pearls in the pink-hued
_Strombus_ of the Bahamas. Ceylon pearls are seldom of any other color
than white, and Sharks Bays are almost invariably quite yellow or
straw-colored, while those of Venezuela are commonly yellowish tinged.
But from other localities, pearls simulate every tint of the rainbow, as
well as white and black. The most common, as well as the most desirable
ordinarily, is white, or rather, silvery or moonlight glint,—“_la gran
Margherita_,” as Dante calls it; but yellow, pink, and black are
numerous. They may also be piebald—a portion white and the rest pink or
brown or black. Some years ago there was on the market a large
bean-shaped pearl of great luster, one half of which was white and the
other quite black, the dividing-line being sharply defined in the plane
of the greatest circumference. The pearls from Mexico, the South Sea
islands, and the American rivers are especially noted for their great
variety of coloration, covering every known tint and shade, and
requiring such a master as Théophile Gautier to do justice to them.
Many theories have been advanced to explain the coloration of pearls.
When the old idea of dew formation prevailed, it was considered that
white pearls were formed in fair weather, and the dark ones when the
weather was cloudy. It was further considered that the color was
influenced by the depth of the water in which they grew: that in deep
water they were white, but where it was so shallow that the sunlight
easily penetrated, the pearls were more likely to be dark in color.
Tavernier curiously explained that the black pearls of Panama and Mexico
owed their color to the black mud in which the pearl-oysters of those
localities lived, and that Persian Gulf pearls were more inclined to
yellow than those of Ceylon, owing to the greater putrefaction of the
flesh before they were removed therefrom.[77] Two centuries ago the
color of a pearl was attributed to that of the central nucleus, and it
was concluded that if the nucleus was dark, the pearl would be of a
similar hue.[78] This theory has also been upset, for pearls are found
white on the exterior and quite dark within, and also with these
conditions reversed.
[Illustration:
GRAY PEARLS IN THE POSSESSION OF AN AMERICAN LADY AND BROOCH FROM
TIFFANY & CO.’S EXHIBIT, PARIS EXPOSITION, 1900
]
Public-domain text, read in full here on John Shaqi.
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