The Brass Bell; or, The Chariot of DeathSue, Eugène
History
The Brass Bell; or, The Chariot of Death
Sue, Eugène
Gaul -- History -- 58 B.C.-511 A.D. -- Fiction
"Why did I name that old fellow, your late neighbor, Pierce-Skin?
Because his bones stick out through his skin. But you, apart from your
two wounds, what a strong constitution you have! What broad shoulders!
What a chest! What a back! What powerful limbs!" While pouring out these
praises, the "horse-dealer" rubbed his hands and gazed at me with
satisfaction and covetousness, already figuring in advance the price I
would fetch. "And your height! It exceeds by a palm that of the next
tallest captive in my lot. So, seeing you so robust, I have named you
Bull. Under that name you are entered in my inventory, at your number;
and under that name will you be cried at the auction!"
I knew that the Romans sold their slaves to the slave merchants. I knew
that slavery was horrible, and I approved of a mother's killing her
children sooner than have them live a captive's life. I knew that a
slave became a beast of burden. While the "horse-dealer" was speaking, I
drew my hand across my forehead to make sure that it was really I,
Guilhern, the son of Joel the brenn of the tribe of Karnak, a son of
that free and haughty race, whom they were treating like a beef for the
mart. The shame of a life of slavery seemed to me insupportable, and I
took heart at the resolve to flee at the first opportunity, or to kill
myself and thus rejoin my relatives. That thought calmed me. I had
neither the hope nor the desire to learn whether my wife and children
had escaped death; but remembering that I had seen neither Henory,
Sylvest nor Syomara come from the enclosure behind the war-chariot, I
said to the "horse-dealer":
"Where did you purchase me?"
"In the place where we make all our purchases, my fine Bull. On the
field of battle, after the combat."
"So it was on the battlefield of Vannes you bought me?"
"The same."
"You doubtlessly picked me up at the place where I fell?"
Public-domain text, read in full here on John Shaqi.
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