Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
Write her a note. Telephone her. Ask her if I may come. I too shall
learn about ancient Greek music. I shall be introduced to everyone
there. I shall be asked to everyone's house. Listen, Samuele, since you
say it is my talent I shall get to know everyone in Rome. I shall die of
social engagements: Here lies the woman who never refused an invitation.
I shall meet two thousand people in ten days. I shall lay myself out to
please anybody on earth. And mind you, Samuele, if that does not nourish
me, we shall have to finish trying, you know....
Mme. Agaropoulos was staggered with joy when she discovered that the
unhoped for the unprocurable Princess was coming to her house. Mme.
Agaropoulos was not the slave of social categories, but she longed to
frequent the Cabala, as some long for the next world. She assumed that
in that company all was wit and love and peace. There one would find no
silly people, none envious, none quarrelsome. She had met the Princess
d'Espoli once and had ever since taken her as the type of person she
would herself have been if she had been better-looking, thinner and had
had more time to read, little realizing that all these had been more in
her power than in Alix, and that she had spoiled her own progress by
a lazy kindliness, great kindliness but lazy.
The Princess called for me in her car at five o'clock. It would be
impossible for me to describe her clothes; it is enough to say that she
had the most incredible power of supplying new angles, shades, lines,
that interpreted her character. This aptitude received added éclat from
her residence in Italy, for Italian women, though often more beautiful,
lack both figure and judgment. They anxiously spend enormous sums in
Paris and achieve nothing but bundles of rich stuffs that bulge or trail
or blow about them in effects they half guess to be unsuccessful, and
seek to repair with a display of stones.
Public-domain text, read in full here on John Shaqi.
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