The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal SeeSweeting, W. D. (Walter Debenham)
History
The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal See
Sweeting, W. D. (Walter Debenham)
Peterborough Cathedral
=The Canopied Reredos= or =Baldachino= was given by the eight surviving
children of Dean Saunders as a memorial of their parents. The retable
was given by the Old Boys of the King's School. The reredos is a
magnificent erection, and renders the east end of this cathedral one of
the most dignified in the kingdom. The daïs on which it stands is
thirteen feet square, and the summit reaches to the height of
thirty-five feet. Four large marble columns stand at the corners, from
the capitals of which spring cusped arches, the spandrels being enriched
with mosaic; while at the angles, above the columns, are figures of the
Evangelists in niches. The large central panel in front has the figure
of Our Lord; at the back is S. Peter. The material is Derbyshire
alabaster; the work was executed by Mr Robert Davison, of London.
=The Mosaic Pavement=, also the work of Mr Davison, was the gift of the
late Dean and Miss Argles. The following description of it is from the
pen of Mr Davison.
"Passing into the choir from the west, the pavement between the stalls
is of tesselated Roman mosaic, in an effective geometrical pattern of
squares, and oblongs of red, green and white marbles. The first bay of
the chancel is also in Roman mosaic, but of more elaborate design, the
central portion being a framework of interlacing cream bands, forming
diamond shaped panels alternating with circles, the centres of these
panels being varied reds and greens; the framework surrounds four large
panels of Pavonazzo d'Italie, each in six slabs. This is a beautiful
marble of feathery purple grey veinings on a creamy white ground. This
central part is flanked on each side by a broad band of the same
Pavonazzo, which separates it from the large side panels of a bold
design of squares of red, green and cream placed diagonally, interlaced
by white bands; upon these panels stand the pulpit on the north side,
and the bishop's throne on the south. This bay is approached from the
choir by the first marble step which is in Frosterley, a marble with
beautiful madrepores of light colour on a dark ground. The next bay is
of similar design to the first, but is approached by two steps of
Levanto marble of reddish brown tint with small veinings of white. The
third and fourth bays are in a marble mosaic called _Opus Alexandrinum_,
composed of various rich marbles of brilliant reds, greens, greys,
yellows, and creams, divided into the main design by bands of
Pavonazzo. The design of the third bay is divided into three equal
panels, in the centre of which are four large slabs of Cipolino, a
charming marble of a light green tint in broad wavy lines on a lighter
ground, which are framed in by a combination of small panels of mosaic
of varied rich patterns of triangles and squares, which are again
enclosed by a broad border of mosaic of white squares on a ground of
light green Vert de Suède. The step up to this bay, and also the step to
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account