Lady Scilly never thinks of having an afternoon-party now without at
least two fortune-tellers in different parts of the house. You see
people waiting in little lumps at the doors; in a little more, and they
would be tying their handkerchiefs to the handles, just as you do to
bathing-machines, to say who has the right to go in first. They go in
shyly, just like people who have made a stumble in the street, looking
silly, and they come out looking humble, like people who have been
having their hair washed. The fortune-teller doesn't tell women the very
serious things, for instance, that they are going to die themselves,
though she tells them when their husbands are. They always tell Ariadne
what sort of coloured man she is going to marry, but as there are only
two sorts of coloured men, fair and dark, it is sure to come right
sometimes. The last time the woman said, "Fair--verging on red!" and as
Ariadne doesn't know any man who has anything like red hair except Mr.
Aix, whom she doesn't care for, she frowned and said, "Are you quite
sure?" The woman changed it to dark, almost black, in a great hurry,
and Ariadne was pleased, for it is a safer colour. Ariadne wears a piece
of wood let into a bracelet that Lady Scilly gave her, just the same as
she wears herself, and touches it whenever she thinks misfortune is in
the air, or when she is afraid of making a fool of herself more than
usual. She took me out to gather May dew in Kensington Gardens, and very
smutty it was. She always counts cherry-stones, and once at the
Islingtons' lunch when it came badly, she actually swallowed Never!
Now, in Lady Scilly's set, they call her "The girl that swallowed
Never," and it seems to amuse them. Anything amuses them, especially a
nickname. I myself wonder Ariadne did not have appendicitis, or at least
that apple-tree growing out of her ear they used to tell us of when we
were children. At luncheon parties now, they make a joke of refusing to
help her to greengage, cherry, or plum-tart, in fact to anything
countable, and Ariadne doesn't seem to see that it is plain to them all
that she is anxious to be married, which, though it is true, sounds
unpleasant, at any rate for the men. She is wild to be married, and to
go away and leave this house and have a house of her own that she can
ask me to come and stay at, and Miss Mander. I think it is a very good
wish, only why make it public? Nor she needn't let every one know that
George only gives her fifteen pounds a year to dress like a lady on. It
is cheaper to dress like an artist or a Bohemian, or in character, and
so she does. We don't have any dressmaker, we hardly know the feel of
one even. Mother and Ariadne make their own clothes, and Mother never
going out, is able to give Ariadne a little extra off her own allowance.
I don't know how much that is. She will never tell.
Public-domain text, read in full here on John Shaqi.
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