The century of ColumbusWalsh, James J. (James Joseph)
History
The century of Columbus
Walsh, James J. (James Joseph)
Renaissance
It was just the place to train such a many-sided genius as Leonardo,
though rather let us say it was just the place for such a many-sided
genius to find and train himself. Certainly the young Leonardo must
have owed very little except suggestion and some minor directions in
technics to anyone else. He very soon came to surpass his master in
painting at least, and the master recognized that fact apparently
without any jealousy. According to the story as we have it, Verrocchio
was employed by the Brethren of Vallombrosa to paint the "Baptism of
Christ." Leonardo was given by the master permission to paint an angel
in the left-hand corner. There was such a striking contrast between
the fresh youthful work of the pupil and the labored work of the
master that Verrocchio is said to have painted no more, or at least
made no more ambitious attempts at great pictures. Sculpture was
always the favorite of the old master, however, so that it was not so
much of a tragedy.
It was after this, in his early manhood, that Leonardo became
interested in the things of nature around him and made many
investigations into their meaning. He took up astronomy for a time and
anticipated some of the thoughts that Copernicus was to put in order
in his great theory. Such ideas in astronomy were in the air at that
time. Cardinal Nicholas of Cusa had more than hinted at them when,
about the middle of the fifteenth century, he declared that the earth
moved in the heavens like the other stars. Astronomical subjects were
{28} favorite speculations for intellectual genius. Regiomontanus, who
died before he was forty, was alive in Leonardo's boyhood, and after
having begun that series of astronomical leaflets which later were to
influence so deeply Columbus and the Portuguese navigators, was
invited down to Rome to reform the calendar. Toscanelli made the
observations on comets, out of which later their orbits were
confirmed. Every form of natural observation caught the inquiring
Leonardo's eye, and he studied the plants around him and meditated on
crystal formation and occupied himself with all the forms of living
things. Somehow his feeling seemed to be that such broadening of his
intelligence would help him to breadth of expression in art, though
probably it was only his native curiosity occupying itself in the
insatiable youthful years with everything that came to hand. His
achievements in science are sketched hurriedly in the chapter on
Physical Science.
Public-domain text, read in full here on John Shaqi.
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