The Certain Hour (Dizain des Poëtes)Cabell, James Branch
General
The Certain Hour (Dizain des Poëtes)
Cabell, James Branch
Fantasy fiction; Short stories
She looked up into Remon's face and, laughing with such bright and
elfin mirth as never any other woman showed, thought Wycherley, she
broke into another song. She would have spared Mr. Wycherley that had
she but known him to be within earshot. . . . Oh, it was only Lady
Drogheda who sang, he knew,--the seasoned gamester and coquette, the
veteran of London and of Cheltenham,--but the woman had no right to
charm this haggler with a voice that was not hers. For it was the
voice of another Olivia, who was not a fine and urban lady, and who
lived nowhere any longer; it was the voice of a soft-handed, tender,
jeering girl, whom he alone remembered; and a sick, illimitable rage
grilled in each vein of him as liltingly she sang, for Remon, the old
and foolish song which Wycherley had made in her praise very long ago,
and of which he might not ever forget the most trivial word.
Men, even beaux, are strangely constituted; and so it needed only
this--the sudden stark brute jealousy of one male animal for another.
That was the clumsy hand which now unlocked the dyke; and like a flood,
tall and resistless, came the recollection of their far-off past and of
its least dear trifle, of all the aspirations and absurdities and
splendors of their common youth, and found him in its path, a painted
fellow, a spendthrift king of the mode, a most notable authority upon
the set of a peruke, a penniless, spent connoisseur of stockings,
essences and cosmetics.
He got but little rest this night.
There were too many plaintive memories which tediously plucked him
back, with feeble and innumerable hands, as often as he trod upon the
threshold of sleep. Then too, there were so many dreams, half-waking,
and not only of Olivia Chichele, naive and frank in divers rural
circumstances, but rather of Olivia, Lady Drogheda, that perfect piece
of artifice; of how exquisite she was! how swift and volatile in every
movement! how airily indomitable, and how mendacious to the tips of her
polished finger-nails! and how she always seemed to flit about this
world as joyously, alertly, and as colorfully as some ornate and tiny
bird of the tropics!
But presently parochial birds were wrangling underneath the dramatist's
window, while he tossed and assured himself that he was sleepier than
any saint who ever snored in Ephesus; and presently one hand of
Moncrieff was drawing the bed-curtains, while the other carefully
balanced a mug of shaving-water.
Public-domain text, read in full here on John Shaqi.
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