Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
As for John Haveril, he was chiefly engaged in considering the girl
who had thus unexpectedly come into his life to cheer it with her
brightness and her grace. I have never found any man so old or so
self-made as to be insensible to the charms of sprightly maidenhood
and youthful beauty. John Haveril was quite a homely person; he had
not been brought up to think of beauty, and lovely dress, and charming
airs and graces as belonging to himself in any way. It is this sense
of being outside the circle which makes working men apparently deaf
and blind to beauty adorned and cultivated. Why admire or think upon
the unattainable? They might as well yearn after the possession of an
ancient castle and noble name as after beauty decorated and set off.
And now this girl belonged to them. He himself and his wife were only
happy when this girl was with them; she came every day to see them;
she drove out with them, took them to see things, taught them what
to admire and what to buy, dined with them, consented graciously to
accept their gifts, but refused their money.
At all events, she refused to take any. Yet she liked the things that
money can buy--lovely frocks, gloves, hats, ribbons, laces, gold
chains, and bracelets, and necklaces. To him contempt for money,
combined with love of what only money can buy, seemed incongruous. The
contempt was only a phrase. Molly had been taught that Art ought to
despise wealth; she had not been taught to despise the things artistic
that money can buy. The rich man chuckled to think how much money can
be spent upon a girl who despises it. He was pleased to make the girl
happy by heaping unaccustomed treasures on her gratified shoulders.
It was pleasant to be generous to a bright, happy, smiling girl, who
kept him alive, and made him forget the burden of his riches. And as
he thought of these things he fell into his third manner--that of the
gardener--and his eyes went off into space.
After dinner Molly sat down to the piano and began to sing, in a full,
flexible contralto, an old ditty about love and flowers, taught her
by Dick himself, who possessed a treasure-house full of such songs,
new and old, and of all countries, and in all languages. There is but
one theme fit for a song--the theme of youth and love, and the sweet
season of roses.
Public-domain text, read in full here on John Shaqi.
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