“I don’t know, Sir, but may suspect. I think it to be my Lord Baltimore.
May I ask so much as that you would return them and entreat his Lordship
to trouble me no more?”
“Child, I can’t do this. I will take charge of the chain and you’ll then
be clear of accepting it and I’ll hold it at your pleasure. But offend
his Lordship I dare not. ’Tis as much as the play is worth. You little
know his influence nor how the town follows him. But be at your ease.
You are a good girl and all shall go well. Do but wait until the play is
produced and the run over and then, if you must, affront his Lordship.
Endeavour meanwhile to take it lightly, and but as a tribute to the
beauty of my and Mr. Gay’s charming Polly. Bethink you, it may not come
from him.”
What more could she say? She dared not ruin the play and her own career
also at stake. But it must be owned ’twas hard. A singular thing also
that my Lord Baltimore, the irresistible, the adored of half the London
ladies, inspired her with nothing but fear. She blushed and trembled
when he looked at her, but however he might interpret these signs they
were not love. The smooth fairness of his face, the cold sweetness of
his eyes with the dangerous sparkle behind it, his easy carriage, his
splendid dress, the impossibility to make him believe his attentions
unwelcome to any woman, all these caged the freedom of her spirit until
she raged against her bars and bruised her poor breast more than enough.
It had this harm also, that Mrs. Bishop had been a former recipient of
his Lordship’s flowers and jewels, and now, seeing herself deposed for a
younger and lovelier rival, took her revenge in a thousand ingenious
ways on the unhappy Polly. ’Twas more than mere stage looks of hatred
and vengeance that Lucy Lockit darted at Polly Peachum, ’twas her joy to
trip her in her part, to confuse her, to spread stories to her
disadvantage. Indeed the girl found that success has its sting as well
as its honey, and though Mr. Walker did his clumsy best to protect her
on the stage, what is a man against a woman’s petty malice?
Diana therefore had much between her and sleep as she lay in the great
red velvet bed. ’Twas a difficult case to mingle the two parts of Polly
and Diana. For Polly must be all bewitching arts and graces, every
movement of her arms an embrace to the public, every glance a ravishment
and a veiled invitation. And indeed she was perfect in her part. Mr. Gay
and Mr. Rich owned it daily. But poor Diana must combat the amatory
attacks that the fair Polly invited from all the world, and how to do it
she scarce knew. She must languish at the gallants who crowded the stage
as near as they could, she must droop her long lashes at them to hide
the soft fire, with a smile to drive them frantic on the roses of her
lips, and then, behind the scenes, repel the most audacious advances,
for nothing could be supposed freer than the manners of the fops who
buzzed about the theatre.
Public-domain text, read in full here on John Shaqi.
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