The Churches of Coventry: A Short History of the City & Its Medieval Remains — John Shaqi
The Churches of Coventry: A Short History of the City & Its Medieval RemainsWoodhouse, Frederic W.
History
The Churches of Coventry: A Short History of the City & Its Medieval Remains
Woodhouse, Frederic W.
Churches -- England -- Coventry; Coventry (England) -- History
The church of Holy Trinity loses much, in popular estimation at least,
by its nearness to St. Michael's. It invites comparison of the most
obvious sort. It is not nearly so large and its spire is not so high,
these facts alone are sufficient to account for the popular view.
Fuller, in his "Worthies" says of the two churches, "How clearly would
they have shined if set at competent distance! Whereas now, such their
Vicinity, that the Archangel eclipseth the Trinity."
The plan is quite unlike that of its neighbour, being cruciform, with
a central tower, a short nave, and a chancel distinctly longer than
the nave. On the south both nave and chancel have a single aisle, the
transept projecting beyond it and there is a vestry at the east end.
On the north there is a similar aisle with a Lady Chapel at the east
corresponding to the Vestry, but a large porch and several chapels
fill up the spaces so that the transept does not in plan project.
Looking at the exterior as a whole it may be said that the more
moderate length (194 feet), the central spire, 230 feet high, and the
transepts unite in forming a more satisfactory composition than the
long body and immense western steeple of St. Michael's. There however,
the superiority ceases for the frequent "recasings" and restorations
have left hardly a stone of the exterior that has not been renewed
again and again, and the dates of these operations, 1786, 1826, 1843,
sufficiently suggest the degree of knowledge and feeling likely to be
manifested in the work.
Probably most of the structure was first built of the same friable red
sandstone as its greater neighbour. Much of the recasing has been
executed in a rather harder gray sandstone, but the tower and spire
are still red.
Public-domain text, read in full here on John Shaqi.
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