The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
Not even the laziest or the weariest man can hate the alarm clock as he
does the factory whistle. The shrill blast that comes every morning from
the iron throat of this monster has in it a note of contemptuous menace.
The tired laborers awaken at their master's bidding; there is something
unnatural about this abrupt wholesale termination of sleep. But the
discipline of the alarm clock is another matter; he who hears it
listens, it may be said, to his own voice. He himself has set it, he has
fixed the very moment of his own awaking. And there is dignity in
observing rules self-imposed, however irksome they may be. The alarm
clock is the symbol of civilization, that is, of voluntary submission,
of free will obedience.
The careful reader will be aware that many aspects of this excellent
device have been neglected in this brief consideration. I have said
nothing of the alarm clock's sense of humor and of its willingness to
become a party to practical jokes. I have said nothing of how it may be
pleased, of its pride, for instance, in being referred to as an "alarum
clock." But it has one characteristic which I must mention, its
usefulness to the suddenly rich.
There is a delightful sort of novel, Mrs. Frances Hodgson Burnett wrote
one, and so did Mr. H. G. Wells, which deals with the adventures of a
young man who has unexpectedly inherited a fortune. Samuel Warren's "Ten
Thousand a Year" is perhaps the greatest example of this manner of
fiction. Well, if I were T. Tembarom, or Kipps, or Tittlebat Titmouse
(Dr. Warren's hero), my alarm clock would be necessary for my first act
of celebration. Perhaps I should throw it from a window, perhaps I
should remove its bell, perhaps I should merely enjoy letting it run
down. At any rate, its presence would be necessary to the complete
enjoyment of my new freedom.
DAILY TRAVELING
Give a dog a bad name and hang him. Call the custom of daily travel
"commuting" and deliver it over to the whips of the scorner. The
intransitive verb "to commute" is a barbarous thing; he who is called
"commuter" is thereby rudely and ungrammatically taunted with journeying
at reduced rates, with being (terrible thought!) the recipient of a
railway's charity.
It is lamentable that so picturesque a habit as daily railway travel
should be thus misnamed. That it is a picturesque habit is perceived by
anyone who takes the trouble to consider it scientifically, shutting
resolutely from his mind the odium brought upon it by its odious name.
Suppose, for instance, that you were to go into the tap-room of the
Mermaid Tavern some winter evening during the reign of the, so to speak,
Good Queen Bess. The venerable Mr. Alfred Noyes would lead you to the
table always reserved for Messrs. Shakespeare, Marlowe and Jonson. You
would take from your pocket your commutation ticket, and, holding aloft
that cabalistically inscribed oblong of colored cardboard, would
sonorously declaim:
Public-domain text, read in full here on John Shaqi.
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