The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
How different is the community in which people merely dwell, having
their business elsewhere! What is their occupation? They go to The
City--that is sufficient answer to admit them to fellowship. If
curiosity be still unsatisfied, there is the mention of the name of a
great firm, and all is well.
The cobbler, you see, keeps his last in the city, away from his home and
his neighbors; he does not stick to it, as the unpleasant adage bids
him. As he sits on his red velvet chair, enjoying with his neighbors
tobacco smoke, rapid travel, and the news of the world, who shall say
whether he deals in shoes or in empires? Next to him is Dusenbury, who
in addition to going to New York, goes to Wall Street, rumor has it.
What does he do in Wall Street? Does he corner the wheat market or clean
out waste baskets? Those who know, who say to him, "Sir" or "Hey, you,"
are not his companions on the 7.57.
There is a certain charm about what is called, ridiculously enough, a
"commuting town," which is altogether lacking in other communities. A
"commuting town" is wholly a place of homes--not of homes diluted with
offices, factories and shops. It is therefore the quintessence of
domesticity, being domestic with an intensity which no village which is
remote from the centers of civilization, which furnishes employment and
supplies to its own citizens can hope to approach.
Such a town is daily divided and joined, diminished and completed,
thereby keeping in a state of healthy activity. The 7.57 takes away, the
5.24 brings back. These recurrent separations and reunions are not
without their ethical and emotional value.
INCONGRUOUS NEW YORK
That dislike of the obvious which is the chief characteristic of
American humor is clearly exemplified in the names of most of New York's
streets.
The dwellers in a great European city would give their proudest avenue
of great shops and rich clubs some dignified and significant title, like
the Rue de la Paix or the Friedrichstrasse. The Asiatics would give it a
name more definitely descriptive and laudatory, like "The Street of the
Thousand and One Mirrors of Delight." The New Yorkers, "laconic and
Olympian," designate it by a simple numeral. They call it Fifth Avenue.
It comes partly from the national reticence, this prosaic name of a
poetic thoroughfare. It is a manifestation of that attitude of mind
which makes us to call a venerated and beloved statesman merely "Old
Abe," when the English would call him "the Grand Old Man" and the
Italians "the Star-crowned Patriarch." Also it is a phase of our
democracy. We will not seem to exalt one avenue over another by giving
it a fairer name; Fifth Avenue sounds to the uninitiated no more wealthy
and aristocratic than Fourth Avenue. Indeed, if there be any partiality
in the awarding of names, it would seem to be exercised in favor of
First Avenue or Avenue A.
Public-domain text, read in full here on John Shaqi.
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