The City of Pleasure : $b a fantasia on modern themes — John Shaqi
The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“And how long will he remain in this condition?” asked Carpentaria, full
of joy and relief.
“Till you go and bring me some snuff. Snuff is the best thing in these
cases.”
“And he’ll be perfectly well again?”
“Yes, in a day or two.”
“He’ll remember--things?”
“Of course he will! Shall I go for that snuff, or will you?”
“I will run,” said Carpentaria, and he ran.
CHAPTER XI--The Return to Life
It was half-past seven o’clock on Monday evening. More than thirty
hours had elapsed since young Rivers first began his operations to
restore life to the cataleptic patient, and he was only just succeeding
in an affair which had proved extremely difficult and protracted. Young
Rivers, in fact, had found out during the watches of Sunday night and
the sunny morning of Monday that the disease (if catalepsy may be called
a disease) has a habit of flatly defying the rules of medical text-books
and the experience of even the youngest doctors. But ultimately he had
triumphed, though not by means of the famous snuff, which Carpentaria
had obtained, after exhaustive research, from a bass-fiddle player in
his band.
The patient reclined, alive, conscious, capable of movement and speech,
but otherwise a prodigious enigma, in an arm-chair in Carpentaria’s
bedroom. His existence was a profound secret from all except the doctor
and the musician.
And now these two, who had brought him back to earthly life, wanted
him to talk, to explain himself, to unravel the mysteries of Saturday
afternoon and Saturday night. And Carpentaria, dressed in his uniform,
waited, watch in hand; for in half an hour the daily concert must
commence in the Oriental Gardens. Nothing could interfere with
Carpentaria’s presence in the gorgeous illuminated bandstand. He had
sacrificed his interest in his half-sister, his curiosity about the
doings of the Ilams, his inspection of the affairs of the City, and even
a rehearsal, to the care of the recovering cataleptic, but the concert
itself, with its audience of a hundred thousand or so, could not be
sacrificed.
“So you are Carpentaria?” murmured the patient, sipping at a glass of
hot milk.
His age now appeared to be fifty. He had grey hair and a short grey
beard, rather whiter than the hair, and his eyes bore the expression of
a man who has found that life bears no striking resemblance to a good
joke. His hands moved nervously over the surfaces of the chair.
“Yes,” Carpentaria admitted; “and you?”
It was the first direct question that he had ventured to put to the
enigma, and the enigma ignored it.
“You say I was buried and you unburied me?” he pursued.
“Yes,” said Carpentaria enthusiastically, and he described the journeys,
the disappearances and the reappearances, of the body of the enigma on
the opening night.
“I suppose I should have died really, if I’d been left alone?” the
enigma demanded of Rivers.
“Undoubtedly,” said Rivers. “Undoubtedly,” he repeated.
The enigma turned almost fiercely on Carpentaria.
Public-domain text, read in full here on John Shaqi.
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