The Complete Works of Richard Crashaw, Volume II — John Shaqi
The Complete Works of Richard Crashaw, Volume IICrashaw, Richard
General
The Complete Works of Richard Crashaw, Volume II
Crashaw, Richard
English poetry -- Early modern, 1500-1700
were--(_a_) his reading in Teresa and kindred literature, until not
'hands,' but brain and heart, imagination and fancy, grew into the
elements wherein they wrought--as one finds sprays of once-green moss
and delicate-carven ferns changed by the dripping limestone into
limestone: (_b_) the ritualistic revival being in the hands of those
most loved and trusted, and from whom he fetched whatever of spiritual
life and peace and joy and hope was in him--these too being of stronger
will, and decisive in opinion and action--his vague 'feeling-after' rest
was centred in the Rest of ideal Roman Catholicism: (_c_) the confusions
and strifes of the transition-period of the Commonwealth terrified and
wounded him; he mistook the crash of falling scaffolding, whose end was
served, for the falling of the everlasting skies; saw not their serene
shining beyond the passing clouds, lightning-charged for divine
clarifying; and a 'quiet retreat,' which Imagination beckoned him to,
won him to 'hide' there his weeping and dismay. Nothing sordid or
expedient, or facing-both-ways, or unworthy, moved him to 'change.'
Every one who has self-respect based on self-knowledge, and who thus has
experienced the mystery of his deepest beliefs, will make all gentlest
allowances, hold all tenderest sympathies with him, and feel the coarse
abuse of Prynne and later as a personal wrong. Richard Crashaw was a
true 'man of God,' and acted, I believe, in sensitive allegiance to his
conscience as it spake to him. 'Change,' even fundamental change, in
such a man is to be accepted without reserve as 'honest' and righteous
and God-fearing. He dared not sign the 'Solemn League and Covenant,'
however 'solemn' it might be to others; and so he went out.[21] I pass
to--
II. _His friends and associates, as celebrated in his writings._ I use
the word 'Writings' here rather than 'Poems,' because in his Epistles,
_e.g._ to the 'Epigrammata' and those printed by us for the first time,
as well as in his Poetry, names are found over which one pauses
instinctively. Commencing with his school-days at the Charterhouse,
there is Robert Brooke, 'Master' ('Preceptor') from 1628 to 1643.[22]
Very little has come down to us concerning him, and the present head of
the renowned School has been unable to add to Alexander Chalmers'
testimony, 'A very celebrated Master.' All the more have I pleasure in
inviting attention to the new 'Epistola' and related poems addressed to
him, and which must be studied along with the previous poem,
'Ornatissimo viro præceptori suo colendissimo, Magistro Brook' (vol. ii.
pp. 319); and perhaps the humorous and genial serio-comic celebration of
'Priscianus' grew from some school-incident (vol. ii. pp. 308, 315)
having in the latter year, like Crashaw, been 'ejected' from the
Charterhouse for not taking the 'Solemn League and Covenant.' He had
been usher from 1626 to 1628. An apartment in the building is still
called from him Brooke Hall ('Chronicles,' pp. 129, 159).
Public-domain text, read in full here on John Shaqi.
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