The Confession of a Child of the Century — Volume 1Musset, Alfred de
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The Confession of a Child of the Century — Volume 1
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
With these words I sat down, marvelling how indignation can solace grief
and restore happiness. Whoever is astonished to learn that, from that
day, I completely changed my course of life does not know the heart of
man, and does not understand that a young man of twenty may hesitate
before taking a step, but does not retreat when he has once taken it.
CHAPTER II
THE CHOSEN WAY
The first steps in debauchery resemble vertigo, for one feels a sort of
terror mingled with sensuous delight, as if peering downward from some
giddy--height. While shameful, secret dissipation ruins the noblest of
men, in the frank and open defiance of conventionality there is something
that compels respect even in the most depraved. He who goes at
nightfall, muffled in his cloak, to sully his life in secret, and
clandestinely to shake off the hypocrisy of the day, resembles an Italian
who strikes his enemy from behind, not daring to provoke him to open
quarrel. There are assassinations in the dark corners of the city under
shelter of the night. He who goes his way without concealment says:
"Every one does it and conceals it; I do it and do not conceal it."
Thus speaks pride, and once that cuirass has been buckled on, it glitters
with the refulgent light of day.
It is said that Damocles saw a sword suspended over his head. Thus
libertines seem to have something over their heads which says: "Go on,
but remember, I hang not by a thread." Those masked carriages that
are seen during Carnival are the faithful images of their life.
A dilapidated open wagon, flaming torches lighting up painted faces;
some laugh, some sing. Among them you see what appear to be women;
they are in fact what once were women, with human semblance. They are
caressed and insulted; no one knows who they are or what their names.
They float and stagger under the flaming torches in an intoxication that
thinks of nothing, and over which, it is said, a pitying God watches.
But if the first impression be astonishment, the second is horror, and
the third pity. There is evident so much force, or rather such an abuse
of force, that often the noblest characters and the strongest
constitutions are ruined. The life appears hardy and dangerous to these;
they would make prodigies of themselves; bound to debauchery as Mazeppa
to his horse, they gallop, making Centaurs of themselves and seeing
neither the bloody trail that the shreds of their flesh leave, nor the
eyes of the wolves that gleam in hungry pursuit, nor the desert, nor the
vultures.
Launched into that life by the circumstances that I have recounted, I
must now describe what I saw there.
Public-domain text, read in full here on John Shaqi.
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