The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
One chief then walked round, and, in short, abrupt sentences, seemed to
give directions; whereupon some whitened, entire gourds, with long
handles, and apparently filled with pebbles, were produced; and men took
their stations with them on mats, while those who had been seated all
arose, and formed in circles around the fire, led by a chief, and always
beginning their movement towards the left. The gourds were
shaken;--there arose a sort of low sustained chant as the procession
went on; and it was musical enough, but every few seconds, at regular
intervals, a sound was thrown in by all the dancers, in chorus, like the
sharp, quick, shrill yelp of a dog. The dance seemed to bear reference
to the fires in the center. Every time they came to a particular part of
the square, first the head chief turned and uplifted his hands over the
flame, as if invoking a benediction, and all the people followed his
example in rotation. The dance was very unlike anything I ever saw
before. The dancers never crossed their feet, but first gave two taps
each with the heel and toe of one foot, then of the other, making a step
forward as each foot was tapped on the earth; their bodies all the while
stately and erect, and each, with a feather fan,--their universal and
indispensable companion,--fanning himself, and keeping time with his fan
as he went on. The dance was quickened, at a signal, till it became
nearly a measured run, and the cries of the dancers were varied to suit
the motion, when, suddenly, all together uttered a long, shrill whoop,
and stopped short, some few remaining as guards about the sacred square,
but most of the throng forthwith rushing down a steep, narrow ravine,
canopied with foliage, to the river, into which they plunged; and the
stream was black on every side with their heads as they swam about,
playing all sorts of antics; the younger ones diving to fetch up pieces
of silver money which the visitors flung into the water, to put their
dexterity to the test.
Returning to the sacred square, they went through other dances around
the fire, varying in figure and accompaniment. All were generally led by
some aged chief, who uttered a low, broken sound, to which the others
responded in chorus. Sometimes the leader, as he went around, would
ejaculate a feeble, tremulous exclamation, like allelu_liah_,
allelu_liah_, laying the stress upon the last syllable, to which all
would respond in perfect accord, and with a deep, sonorous bass,
'allelu_liah_,' and the same alternation continued to the close, which
was invariably sudden, and after a long general whoop.
Public-domain text, read in full here on John Shaqi.
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