"Love him!" she echoed. "Oh, boy dear, boy dear, what a Galahad it is! I don't think Ned ever cared for anything but Father's money; and I-- why, you have seen him. How _could_ I love him?" she asked, as simply as a child. I bowed my head. "And yet--" said I. Then I laughed again, somewhat bitterly. "Don't let's tell stories, Mrs. Lethbury," I said; "it is kindly meant, I know, but I remember you now. I even danced with you once, some seven years ago,--yes, at the Green Chalybeate. I remember the night, for a variety of reasons. You are Alfred Van Orden's daughter; your father is a wealthy man, a very wealthy man; and yet, when your--your husband disappeared you followed him--to become a strolling actress. Ah, no, a woman doesn't sacrifice everything for a man in the way you have done, unless she loves him." I caught my breath. Some unknown force kept tugging down the corners of my mouth, in a manner that hampered speech; moreover, nothing seemed worth talking about. I had lost her. That was the one thing which mattered. "Why, of course, I went with him," she assented, a shade surprised; "he was my husband, you know. But as for loving,--no, I don't think Ned ever really loved me," she reflected, with puckering brows. "He took that money for--for another woman, if you remember. But he is fond of me, and--and he _needs_ me." I did not say anything; and after a little she went on, with a quick lift of speech. "Oh, what a queer life we have led since then! You can't imagine it, my dear. He has been a tavern-keeper, a drummer,--everything! Why, last summer we sold rugs and Turkish things in Atlantic City! But he is always afraid of meeting someone who knows him, and--and he drinks too much. So we have not got on in the world, Ned and I; and now, after three years, I'm the leading lady of the Imperial Dramatic Company, and he is the manager. I forgot, though,--he is advance-agent this week, for he didn't dare stay in Fairhaven, lest some of the men at Mr. Charteris's should recognize him, you know. He came back only this evening--" She paused for a moment; a wistful quaver crept into her speech. "Oh, it's queer, it's queer, Bobbie! Sometimes--sometimes when I have time to think, say on long Sunday afternoons, I remember my old life, every bit of it,--oh, I do remember such strange little details! I remember the designs on the bread and butter plates, and all the silver things on my desk, and the plank by my door that always creaked and somehow never got fixed, and the big, shiny buttons on the coachman's coat,-- just trifles like that. And--and they hurt, they hurt, Bobbie, those little, unimportant things! They--grip my throat." She laughed, not very mirthfully. "Then I am like the old lady in the nursery rhyme, and say, Surely, this can't be I. But it is I, boy dear,--a strolling actress, a barn-stormer! Isn't it queer, Bobbie? But, oh, you don't know half--"