The Cornhill Magazine, February, 1860 (Vol. I, No. 2) — John Shaqi
The Cornhill Magazine, February, 1860 (Vol. I, No. 2)Various
General
The Cornhill Magazine, February, 1860 (Vol. I, No. 2)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
By the announcement, then, that I do not contemplate, here, a complete
biography of Hogarth: that I do not know enough to complete a reliable
and authentic life: “_nec, si sciam, dicere ausim_:” these papers are
to be considered but as “_Mémoires pour servir_;” little photographs
and chalk studies of drapery, furniture, accessories of costume and
snuff-box, cocked hat and silver buckle detail, all useful enough in
their place and way, but quite subordinate and inferior to the grand
design and complete picture of the hero. I am aware that high critical
authorities have been inveighing lately against the employment of
the costumiers and _bric a brac_ shop-keepers and inventory takers’
attributes in biography; and writers are enjoined, under heavy
penalties, to be, all of them, Plutarchs, and limn their characters
in half a dozen broad vigorous dashes. It can conduce little, it has
been argued, towards our knowledge of the Seven Years’ War to be told
that Frederick the Great wore a pigtail, and that to his jackboots “Day
and Martin with their soot-pots were forbidden to approach;” and it
has been asked whether any likelihood exists of our knowing more of
the character of Napoleon Bonaparte from the sight of his cocked hat
and toothbrush at Madame Tussaud’s. Presuming to run counter to the
opinion of the high critical authorities, I would point out that the
very best biographies that have ever been written--those of Samuel
Johnson, Samuel Pepys [his diary being eminently biographical], Lord
Herbert of Cherbury, and Jean Jacques Rousseau [in the _Confessions_,
and bating the lies and madnesses with which that poor crazed wanderer
disfigures an otherwise limpid narrative]--are full of those little
scraps and fragments of minute cross-hatching, chronicles of “seven
livres three sols, parisis,” lamentable records of unpaid-for hose,
histories of joyous carouses, anecdotes of men and women’s meannesses
and generosities, and the like. On the other hand, how cold, pallid,
unhuman, is the half-dozen-line character, with all its broad vigorous
dashes! Certain Roman emperors might have come out far better fellows
from the historian’s alembic if their togas and sandals had been more
scrupulously dwelt upon. Is our awful veneration for St. Augustine
one whit diminished by the small deer he condescends to hunt in the
history of his youth? The heaviest blow and greatest discouragement
to the composition of admirable biographies, are in the fact that
strength and delicacy, vigour and finish, are seldom combined; and that
a Milton with a dash of the macaroni in him is a _rara avis_ indeed.
Now and then we find an elephant that can dance on the tight-rope
without being either awkward or grotesque; now and then we find a man
with a mind like a Nasmyth’s steam hammer, that can roll out huge
bars of iron, and anon knock a tin-tack into a deal board with gentle
accurate taps. These are the men who can describe a Revolution, and by
Public-domain text, read in full here on John Shaqi.
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