The Cornhill Magazine (Vol. I, No. 3, March 1860)Various
History
The Cornhill Magazine (Vol. I, No. 3, March 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Lest you should imagine this to be poetry, and not science, I will touch
on the evidence that every beam of light, or every breath of air, which
falls upon an object, permanently affects it. In photography we see the
effect of light very strikingly exhibited; but perhaps you will object
that this proves nothing more than that light acts upon an iodized
surface. Yet in truth light acts upon, and more or less alters, the
structure of every object on which it falls. Nor is this all. If a wafer
be laid on a surface of polished metal, which is then breathed upon, and
if, when the moisture of the breath has evaporated, the wafer be shaken
off, we shall find that the whole polished surface is not as it was
before, although our senses can detect no difference; for if we breathe
again upon it, the surface will be moist everywhere except on the spot
previously sheltered by the wafer, which will now appear as a spectral
image on the surface. Again and again we breathe, and the moisture
evaporates, but still the spectral wafer reappears. This experiment
succeeds after a lapse of many months, if the metal be carefully put
aside where its surface cannot be disturbed. If a sheet of paper, on
which a key has been laid, be exposed for some minutes to the sunshine,
and then instantaneously viewed in the dark, the key being removed, a
fading spectre of the key will be visible. Let this paper be put aside
for many months where nothing can disturb it, and then in darkness be
laid on a plate of hot metal, the spectre of the key will again appear.
In the case of bodies more highly phosphorescent than paper, the spectres
of many different objects which may have been laid on in succession will,
on warming, emerge in their proper order.[8]
This is equally true of our bodies, and our minds. We are involved in the
universal metamorphosis. Nothing leaves us wholly as it found us. Every
man we meet, every book we read, every picture or landscape we see, every
word or tone we hear, mingles with our being and modifies it. There are
cases on record of ignorant women, in states of insanity, uttering Greek
and Hebrew phrases, which in past years they had heard their masters
utter, without of course comprehending them. These tones had long been
forgotten: the traces were so faint that under ordinary conditions they
were invisible; but the traces were there, and in the intense light of
cerebral excitement they started into prominence, just as the spectral
image of the key started into sight on the application of heat. It is
thus with all the influences to which we are subjected.
Public-domain text, read in full here on John Shaqi.
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