The Country House (with Designs)Châteauneuf, Alexis de
History
The Country House (with Designs)
Châteauneuf, Alexis de
Architecture -- England -- History -- 19th century; Architecture, Domestic -- England; Country homes -- England
I cannot recommend frescos for the sitting rooms of dwelling houses.
The sum of enjoyment to be derived from one or two large paintings is
not to be compared to that which the contributions of various schools
can afford, even assuming the highest merit. It is true, frescos like
those of the Villa Madama near Rome, from the school of Raphael, may be
beautifully executed in a small size, but they still seem fitter for
open galleries than for rooms. (I have only ventured to except the
dining room.) The impossibility of change in such situations is an
unpleasant feeling; in a public building, on the contrary, it is
satisfactory, and a staircase approaches this character. I may here
observe, that a staircase covered with ancient family portraits is
seldom agreeable to the eye; indeed if it were a desirable kind of
decoration, centuries must often elapse before the materials would be
ready. The first impression on seeing a quantity of portraits in a
staircase is, that it is an accidental if not a troublesome
accumulation, and that there is no room for the pictures in better
situations. Far be it from me to speak with any disrespect of the taste
for family portraits so peculiar to the English. The domestic
"charities," it has been often observed, are pleasingly fostered by
them; but I hold it not always necessary to place the portraits of the
household in prominent situations. The interest such works inspire is
in most cases strictly domestic and private. The portrait has, in
short, no pretension to be conspicuous to all eyes till the individual
is celebrated, or till the work of art is canonized. These conditions,
I admit, may often exist from the first; but then, _à fortiori_, a
staircase is not the place for such a production. The Romans
appropriated one of the most public rooms of the house (the _tablinum_)
to genealogies, records, and inscriptions relating to the family
history, and covered the remaining space--often the _atrium_ as
well--with the portraits and busts of their ancestors.[10] This does
not appear to have been the custom with the Athenians.
[10] Juv. Sat. 8; Plin. 1. xxxv. c. 2.
Public-domain text, read in full here on John Shaqi.
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