The Country House (with Designs)Châteauneuf, Alexis de
History
The Country House (with Designs)
Châteauneuf, Alexis de
Architecture -- England -- History -- 19th century; Architecture, Domestic -- England; Country homes -- England
If colour is admitted any where in the library, it might be in subjects
on the ceiling, allowable here, if at all, in the region of easy chairs
and occasional meditation; perhaps too, to a certain extent, in the
windows. The introduction of subjects on ceilings has not been
recommended generally, but in the system of arabesque painting the
universal decoration of the walls requires to be carried into the
ceiling. Sculpture, from the reasons already given, or rather in
accordance with the same taste, is quite admissible in the library.
Cicero frequently writes to his friend at Athens, to send him any good
works in sculpture, fit to adorn the library and residence of a man of
letters.[12]
[12] Epist. ad Attic. 1. i. c. 3, 8, 9, 10, &c. It is remarkable that
a bas-relief, in the finest Greek style, representing a philosopher
reading, was found in the ruins of Cicero's Tusculan villa. Some
English sculptors and myself, during an excursion from Rome, first, I
may almost say, discovered this marble, walled into the staircase of
the Episcopal palace at Grotta Ferrata. A mould was afterwards taken
from it, through the exertions of Mr. Gibson, and the cast is now
common in Rome. The marble was, I think, afterwards removed to the
Vatican.
But the choicest works of taste should unquestionably be in the room
most occupied in hours of calm seclusion and leisure; and in order to
find wall enough for the pictures, this may be assumed to be the
principal drawing room. Here, therefore, may be the best specimens of
painting, and even of sculpture, if the space permits: here, the
chimney-piece may be by Flaxman, and the doors of the print-case by
Stothard. The pictures cannot be very large, on account of their number
and the size of the room. This, the objection which in a great measure
excludes the grandest works from our dwelling houses, was met by the
Italians, and by Nicolo Poussin, by reducing the grand to domestic
conditions. If you have only small pictures, however, you cannot cover
the upper part of the walls, for you are not supposed to have any work
of art _here_ which can be sacrificed.
Public-domain text, read in full here on John Shaqi.
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