Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
If the dentist noticed anything amiss, he was tactful and launched into
an exchange of nonsense with Amy which lasted quite to the theater's
garish door. Once within, Jean forgot that she had a past which might
not be fearlessly bared for any eye. Amy squeezed her arm happily as
they passed directly into the body of the house instead of mounting
the stairs familiar to her feet when she paid her own way; and to the
squeeze she added a look of transport and awe when, following the
usher, they skirted the orchestra and entered a narrow passage near the
stage.
"We've got _box_ seats!" she whispered huskily. "They couldn't have
cost him less than a dollar apiece!"
Jean had a moment of timidity begotten of a vivid recollection of
two cramped pigeon-roosts, always untenanted, which flanked the
advertisement-littered drop-curtain of the Shawnee Springs Grand Opera
House, but was speedily reassured to find that she need endure no such
lonely distinction here. These boxes were many, and they held many,
their own being shared by half a dozen persons besides themselves,
while the hangings were so disposed that she could be as secluded as
she pleased, yet miss nothing of the play.
The play! It was a series of plays, with endless other wonderful
things, too. Nothing that she had conceived resembled this
ever-shifting spectacle of laughter and tears. For there were
tears--real ones! Jean had often jeered at girls who cried over
novels, while those whom a play, or at least the Shawnee Springs brand
of drama, could move to tears, were even less comprehensible; yet
to-night, when a simple little piece dealing merely with an unhappy man
and wife who, resolved to go their separate ways, callously divided
their poor belongings until they reached a dead baby's shoes, ran its
course, she found her breath short and her cheeks wet. She was at
first rather ashamed of this weakness, attributing it to her refuge
nerves, but she presently heard Amy sob, and, looking round, perceived
handkerchiefs fluttering throughout the darkened house. Paul, on her
other side, hemmed once or twice, and she supposed him disgusted with
all this ado over a baby who never existed, but when the lights went up
suddenly she discovered that his eyes were moist, too.
She liked this trait in Paul. She was glad, furthermore, that he
did not scoff afterward, as did some men whom the acting had moved.
It seemed to her a wholesome sign that he had the courage of his
sympathies; one could probably rely upon that type of man. His mental
alertness also impressed her anew. For him none of the quips of the
Irish or German comedians were recondite, and he could explain in a
nutshell the most bewildering feats of the Japanese adepts at sleight
of hand. She wondered not a little at this special knowledge, and when
they left the theatre he told her that it had been his chief boyish
ambition to become a magician.
Public-domain text, read in full here on John Shaqi.
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