The Cup of Fury: A Novel of Cities and ShipyardsHughes, Rupert
General
The Cup of Fury: A Novel of Cities and Shipyards
Hughes, Rupert
World War, 1914-1918 -- Fiction
The nurse who had waited to seize the children when they came forth
had left them to dress themselves while she hastened to publish in the
servants' dining-room the appalling fact that she had caught sight of
a man in Miss Marie Louise's room. The other servants had many other
even more astounding things to tell--to wit: that after mysterious
excitements about the house, with strange men going and coming, and
the kitchen torn to pieces for mustard and warm milk and warm water
and strong coffee, and other things, Sir Joseph and Lady Webling were
no more, and the whole household staff was out of a job. Strange
police-like persons were in the house, going through all the papers in
Sir Joseph's room. The servants could hardly wait to get out with the
gossip.
And Mr. Verrinder had said that this secret would be kept!
CHAPTER VII
Somewhere along about this time, though there is no record of the
exact date--and it was in a shabby home in a humble town where dates
made little difference--a homely woman sniffed.
Her name was Mrs. Nuddle.
What Mrs. Nuddle was sniffing at was a page of fashion cartoons,
curious human hieroglyphs that women can read and run to buy.
Highly improbable garments were sketched on utterly impossible
figures--female eels who could crawl through their own garters, eels
of strange mottlings, with heads like cranberries, feet like thorns,
and no spines at all.
Mrs. Nuddle was as opposite in every way as could be. She could not
have crawled through her own washtub if she had knocked the bottom out
of it. She was a caricature made by nature and long, hard work, and
she laughed at the caricatures devised by art in a hurry.
She was about to cast the paper aside as a final rebuke when she
caught sight of portraits of real people of fashion. They did not look
nearly so fashionable as the cartoons, but they were at least
possible. Some of them were said to be prominent in charity; most of
them were prominent out of their corsages.
Now Mrs. Nuddle sniffed at character, not at caricature. Leaning
against her washtub and wringer, both as graceful as their engineer,
she indulged herself in the pitiful but unfailing solace of the poor
and the ugly, which is to attribute to the rich dishonesty and to the
beautiful wickedness.
The surf Mrs. Nuddle had raised in the little private sea of her tub
had died down, and a froth of soap dried on the rawhide of her big
forearms as her heifer eyes roamed the newspaper-gallery of portraits.
One sudsy hand supported and suppressed her smile of ridicule. These
women, belles and swells, were all as glossy as if they had been
ironed.
Mrs. Nuddle sneered: "If the hussies would do an honest day's work it
would be better for their figgers." She was mercifully oblivious of
the fact that her tub-calisthenics had made her no more exquisite than
a cow in a kimono.
Public-domain text, read in full here on John Shaqi.
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