The Curse of Koshiu: A Chronicle of Old JapanWingfield, Lewis
History
The Curse of Koshiu: A Chronicle of Old Japan
Wingfield, Lewis
Historical fiction; Hojo family -- Fiction; Japan -- History -- Kamakura period, 1185-1333 -- Fiction
For her part, reared in retirement, and a stranger to town gaieties,
she preferred the castle--when No-Kami was absent with his scowling
retinue. Then, her own mistress, she would order her kago,--a heavy
gorgeous litter, gold lacquered and emblazoned, adorned with rich
curtains, and cushions, and tassels, borne on the shoulders of twelve
staggering men--and penetrating, when the fancy seized her, along the
centipede street of Tsu, make for a garden beyond, to which she had
taken a liking. Reaching the favoured spot was the difficulty, for it
was necessary to pass along two miles and more of straggling street
and suburb, where poverty, if speechless, was rampant. To her pale
face, though, it always showed its less hideous side, for the poor of
Tsu (how many there were of them!) soon learned to adore their
chatelaine.
She could not with her feeble force even attempt to stem the tide of
suffering due to my lord's oppression; but the crushed creatures knew
right well that behind the marble mask was a deep fund of pity--that
their lady would sometimes go dinnerless herself for the sake of
starving children. When she passed by, the toilworn women would look
up, and show their blackened teeth in a wan smile; and the brown
naked children, with their comical shaved pates and elf-locks--their
bat-ears, wide mouths and eyes _à fleur de tête_ like slits--would
come trooping and crowing about her. She was always interested in the
details of their poor homes,--ready with soothing words, and such
money as she happened to possess; would converse with the old men as
they wove sandals, the two straw loops caught on their great toes;
criticise the painting of the ph[oe]nixes on the umbrellas of oil
paper, an industry in vogue in these parts; exhort the languishing men
to renewed courage and hope; and all the while her revolted soul died
within her at contemplation of the wretched huts of mud and bamboo,
some of them mere mats stretched on sticks, and stiffened with wire,
with rotten crumbling roofs of decayed rice thatch, and mud floors
that were never dry. Her heart bled for the patient, suffering people,
and she was glad to get away to her garden, where the sun shone forth
with halcyon brightness, and nature at least was happy. For Tsu, I
would have you know, is not all ugliness. Passing out of the low-lying
oozy suburb, you reach a wooden bridge over one of the numberless
streams that intersect the marsh, and a little further on come to
rising ground, well wooded with the luxuriant vegetation which in
Japan is the lavish gift of the rain-god. At the top of the hill,
under the lee of a group of ancient pines, much tossed and
wind-beaten, is a summer-house. From the road it is not visible, so
deeply is it embowered in cherry and maple, each so glorious and
lovely in its season, the which are closely tangled and entwined with
such cataracts of purple wisteria as no western mind can realise. This
Public-domain text, read in full here on John Shaqi.
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