The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3Russell, William Clark
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The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3
Russell, William Clark
English fiction -- 19th century
Let me say this concession was only an act of policy. I determined to
try to convert her.
"The want of a church," she continued, "was a great drawback to
Cliffegate. But I knew there was one at Cornpool. Yet the little
cottage suited me so well, and the place was so secluded, I could not
resist taking it."
"Then, Geraldine, we shall have to be married at Cornpool. And now,
dearest, when?"
"When you wish, Arthur."
"I want to possess you, dearest. This life is so full of uncertainty
that, now you have accepted me, I should not be happy until we are
married. Will the end of the month be too soon?"
"Impatient Arthur!" she said, pressing my hand to her cheek.
CHAPTER VII.
We were married at the end of the month, and when I brought my
beautiful bride back to Elmore Court, I thought myself the happiest
man in the world. I had reason indeed to think so; for I had marked in
Geraldine a depth and earnestness of passion which I felt time would
deepen and make still more earnest. And yet what was there about her
that forced me into light musings, of which I was hardly conscious of
the tenor? Of course, I deemed her love genuine, and I knew afterwards
that it was genuine. Yet there was about it a suggestion of oddness,
a hint of some sombre presence, which my instincts surely felt, if my
heart did not at first recognise.
But her beauty was of the radiant type that sheds a universal lustre on
the character. It transfigured her in my eyes. It threw a veil of light
over her nature, and hid from my sight those features which a lesser
grace must have discovered. My love was apt to give names of its own to
the qualities it detected. To me, there seemed no violation of reason
in calling her artless, wayward, childlike. I found her capricious
conversation fascinating, not perplexing. Her habit of breaking off
in her grave speech to chase some irrelevant and simple fancy charmed
me. Her composite character suggested the two extremes of womanly
sense and childlike innocence, and her beauty filled with light the
void that divided them. So that I took no notice of the want of those
connecting links, those pauses and gradations of mind, which in reality
are as needful to the intellectual character as the middle keys of an
instrument are essential to its capacity for producing harmony.
I had proposed that we should spend our honeymoon abroad; but she
would not listen to our leaving Elmore Court. She said it was now in
the fulness of its beauty, and where should we find abroad so lovely
and quiet an abode? "Did I not tell you, naughty boy, that I would not
leave this house?" she had said. "It is the very perfection of a home,
in my eyes. We know no one. We can have all the long days to ourselves.
I can work in the garden without minding my dress. I should hate to
have to keep myself tidy to receive callers--stupid people, who would
come to envy and go away to tell stories. Look at my hair now--if I
were anywhere else I should have to keep it dressed."
Public-domain text, read in full here on John Shaqi.
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