The development of British landscape painting in water-coloursFinberg, A. J. (Alexander Joseph)
History
The development of British landscape painting in water-colours
Finberg, A. J. (Alexander Joseph)
Landscape painting, British; Watercolor painting, British
Five years later than E. A. Walton, D. Y. Cameron was born in Glasgow
(Plate XVIII). With the exception of Muirhead Bone, there is no other
Scottish artist whose pre-eminence as an etcher is as universally
admitted. Within recent years his reputation as a painter has been
rapidly becoming as widely acknowledged. In his early etchings, oils,
and water-colours, though previous masters’ influences were easily
detected, his gift of selection and fitness placed his results on a
higher artistic plane than those by whom he had been evidently inspired,
and to-day his work is always amongst the most dignified and refined in
any exhibition. Technically he resorts to no fumbled trickery, nor does
he strain any of the means he uses beyond their own inherent powers.
Before his landscapes one feels the mood of time and place charmingly
interpreted, such moods of Nature, when the trivialities of the day have
passed, or only those remain which fittingly appeal, with their silent
ponderings.
In 1869, at Dalry, Ayrshire, George Houston was born (Plate XX), and it
is as a painter of that part of Scotland that his name became most in
evidence before the Scottish art world in 1904 by a large-scaled canvas,
_An Ayrshire Landscape_, shown at the exhibition of the Glasgow Fine
Arts Institute. No little praise was bestowed upon it by artists and
public alike, resulting in its being purchased for the City’s permanent
collection. But memories recall other earlier and smaller works
creatively quite as important. To place Houston amongst the Scottish
artists is to do so individually, as his work is extremely personal,
both technically and compositionally. Late winter and early spring
landscapes attract him most, the time, too, when the earth is just
dappled with snow, and the atmosphere and undergrowth alive in all their
gentle colour-harmony. A keen lover of Nature, little escapes his
observation, and it is those qualities of his mind and outlook, so
carefully expressed in his oil paintings, that arrest admiring attention
in his water-colours of similar themes.
Public-domain text, read in full here on John Shaqi.
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