Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
The Soldier stared thoughtfully at the fire.
“He was a first-class fisherman and a wonderful swimmer, was Giles
Yeverley, and sometimes—I wonder. They say he got caught in a
bore—that perhaps he got cramp. But, as I say, sometimes—I wonder.
“I saw them—Jimmy Dallas, sometime Sergeant Trevor, and his wife—at
the Ritz two nights ago. They seemed wonderfully in love, though they’d
been married ten years, and I stopped by their table.
“‘Sit down, Dog-face,’ she ordered, ‘and have a liqueur.’
“So I sat down and had a liqueur. And it was just as I was going that
she looked at me with her wonderful smile, and said, very softly: ‘Thank
God! dear old Giles never knew; and now, if he does, he’ll understand.’”
The Soldier got up and stretched himself.
“A big result for a bit of yellow peel.”
_VI_ _The Writer’s Story, being The House at Appledore_
“I’M not certain, strictly speaking, that my story can be said to
concern my trade,” began the Writer, after he had seen his guests were
comfortable. “But it happened—this little adventure of mine—as the
direct result of pursuing my trade, so I will interpret the rule
accordingly.
“My starting-point is the Largest Pumpkin Ever Produced in Kent. It was
the sort of pumpkin which gets a photograph all to itself in the
illustrated papers—the type of atrocity which is utterly useless to any
human being. And yet that large and unpleasant vegetable proved the
starting-point of the most exciting episode in my somewhat prosaic life.
In fact, but for very distinct luck, that pumpkin would have been
responsible for my equally prosaic funeral.’ The Writer smiled
reminiscently.
“It was years ago, in the days before a misguided public began to read
my books and supply me with the necessary wherewithal to keep the wolf
from the door. But I was young and full of hope, and Fleet Street seemed
a very wonderful place. From which you can infer that I was a
journalist, and candour compels me to admit—a jolly bad one. Not that I
realised it at the time. I regarded my Editor’s complete lack of
appreciation of my merits as being his misfortune, not my fault.
However, I pottered around, doing odd jobs and having the felicity of
seeing my carefully penned masterpieces completely obscured by blue
pencil and reduced to two lines.
“Then one morning I was sent for to the inner sanctuary. Now, although I
had the very lowest opinion of the Editor’s abilities, I knew sufficient
of the office routine to realise that such a summons was unlikely to
herald a rise of screw with parchment certificate of appreciation for
services rendered. It was far more likely to herald the order of the
boot—and the prospect was not very rosy. Even in those days Fleet
Street was full of unemployed journalists who knew more than their
editors.
Public-domain text, read in full here on John Shaqi.
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