Charms -- Fiction; Great Britain -- Social life and customs -- 20th century -- Fiction; Love stories; World War, 1914-1918 -- Fiction
Song of the Past.
The scene with which the last chapter closed would have been further
undeniable proof to Olwen of the too-potent success of her talisman, had
she known of it. But how about the working of the Charm, as it had been
mapped out by herself?
As it was, guessing nothing as yet of how it had drawn to her friend,
Mrs. Cartwright, the adoration of quite the wrong man, the girl was
already in a mood of dissatisfaction. Chiefly, perhaps, because half the
day was over, without a word or look for her from Captain Ross. It is
true that the young Staff officer had announced the evening before that
he guessed he was going to take the following day out in the open. But
if her Charm had been strong as she had hoped it, Captain Ross would
scarcely have wished to leave the hotel for an entire day while she
(Olwen) was in it? Yet, how magic had been its effect in the case of
Miss Walsh and her sergeant! They (the fiancés) were now inseparable,
rather to the scandal of the French contingent, new to the code of the
English betrothed. Olwen scarcely had a word with her friend, except for
good night! Well, the unchaperoned Miss Walsh was entirely happy. That
was one ray of brightness in the gloom of little Olwen's mood, for even
she was now coming round to Mrs. Cartwright's expressed view that it was
better to be happy with a quite unsuitable partner than to be bored with
one who is apparently "cut out" for one. So much for what the Charm had
done for Agatha Walsh.
But what about Olwen herself? What about Mrs. Cartwright? What about
little Mr. Brown?... To the girl, in her present impatient frame of
mind, there seemed to be absolutely "nothing doing," as Captain Ross
would have said.
That very afternoon, when she and her Uncle were closeted together in
that bare, shining study-room of his, she had tried to draw a discussion
of Mrs. Cartwright into the rewriting of the Professor's article on old
Welsh flower-names, but the old man was not to be diverted from his own
subject.
"Never mind Mrs. Cartwright's new dress now, Olwen _fach_," he'd said,
indulgently, but firmly. "Clothes, clothes, and stuffs----! Get on with
this, now----" And he had laid down close to her typewriter a further
page of notes, in his all but indecipherably small handwriting:
"Fox-glove--_Bysedd cwn_ (Hound's fingers).
Mullein--_Canwyll yr adar_ (Bird's candle).
Cotton-grass--_Sidan y waun_ (Moor silk).
Snowdrops--_Clych Maban_ (Baby's bells)...."
Olwen had tapped out a dozen of these names on a fresh sheet of paper,
thinking, rebelliously: "Well, I don't see that these are any more
important than 'clothes and stuffs' that one's got to _wear_! Certainly
not half as important as an awfully nice woman whom Uncle might be
marrying all this time. I do call it a waste----" Then, as she pushed
the roller of her machine along the carrier again, a more optimistic
thought had struck her. "Perhaps he's making up his mind to propose to
her _now_."
Public-domain text, read in full here on John Shaqi.
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