Here, for instance, is the marvellous family of the stars: flat stars, bursting stars, diaphanous stars, solid and fleshly stars, milky ways and constellations of the earth that correspond with those of the firmament. Here are the proud plumes that await the diamonds of the dew; here, to put our dreams to shame, the fascinating poem of unreal tresses: wise, precise and meticulous tresses; mad and miraculous tresses; honeyed moonbeams, golden bushes and flaming whirlpools; curls of fair and smiling maidens, of fleeing nymphs, of passionate bacchantes, of swooning sirens, of cold virgins, of frolicsome children, whom angels, mothers, fauns, lovers have caressed with their calm or quivering hands. And then, here, pell-mell, are the monsters that cannot be classed: hedgehogs, spiders, curly endives, pine-apples, pompons, Tudor roses, shells, vapours, breaths, stalactites of ice and falling snow, a throbbing hail of sparks, wings, flashes, fluffy, pulpy, fleshy things, wattles, bristles, funeral piles and sky-rockets, bursts of light, a stream of fire and sulphur. III Now that the shapes have capitulated comes the question of conquering the region of the proscribed colours, of the reserved shades, which the autumn, as we can see, denies to the flowers that represent it. Lavishly it bestows on them all the wealth of the twilight and the night, all the riches of the harvest-time: it gives them all the mud-brown work of the rain in the woods, all the silvery fashionings of the mist in the plains, of the frost and the snow in the gardens. It permits them, above all, to draw at will upon the inexhaustible treasures of the dead leaves and the expiring forest. It allows them to deck themselves with the golden sequins, the bronze medals, the silver buckles, the copper spangles, the elfin plumes, the powdered amber, the burnt topazes, the neglected pearls, the smoked amethysts, the calcined garnets, all the dead but still dazzling jewellery which the North Wind heaps up in the hollows of ravines and foot-paths; but it insists that they shall remain faithful to their old masters and wear the livery of the drab and weary months that give them birth. It does not permit them to betray those masters and to don the princely, changing dresses of the spring and the dawn; and, if, sometimes, it suffers a pink, this is only on condition that it be borrowed from the cold lips, the pale brow of the veiled and afflicted virgin praying on a tomb. It forbids most strictly the tints of summer, of too youthful, ardent and serene a life, of a health too joyous and expansive. In no case will it consent to hilarious vermilions, impetuous scarlets, imperious and dazzling purples. As for the blues, from the azure of the dawn to the indigo of the sea and the deep lakes, from the periwinkle to the borage and the corn-flower, they are banished on pain of death. IV