Then, at a crisis in Italy’s internal government, our enemy, having failed to buy, bribe, or corrupt Italy, began to threaten her. Out of the delirium of his intoxicated conscience, which no longer shrank from crime, he told Italy that if she dared to break her neutrality her fate should be as the fate of Belgium. That frightened some of us for a moment. We thought of Venice, of Florence, of Assisi, of Subiaco, of Naples, and of Rome, and, remembering the methods by which Germany was beating and bludgeoning her way through the war, our hearts trembled and thrilled at a dreadful vision of the lovely and beloved Italian land under the heel of a ruthless aggressor--of the destruction of the history of Christendom as it had been written by great artists on canvas and by great architects in stone through the long calendar of nearly two thousand years. But we also thought of Savoy, of Palestro, of Cas-ale, of Caprera, and of “Roma o morte,” and told ourselves that, come what might, victory or defeat, the children of Victor Emmanuel III would never allow themselves to buy the ease and safety of their bodies by the corruption and degradation of their souls. THE ITALIAN SOUL That was the great and awful hour when Italy stood on the threshold of her fate; but though Great Britain’s heart was bleeding from the sacrifices she had already made, and had still to make, and though Italy’s intervention meant so much to us, we did not feel that we had a right to ask for it. And neither was it necessary that we should do so. The treaty that bound Italy to England was not written on a scrap of paper. It was in our blood, born of our devotion to humanity, to justice, to liberty, and to the memory of our great men. Therefore, with the world in arms about her, let Italy do what she thought best for herself, and the bond between us would not be broken! How the sequel has justified our faith! And when the great hour struck at last, after ten months of suspense, and Italy--ready, fully equipped, united--found the voice with which she proclaimed war, what a voice it was! Eloquent voices she had had throughout, in her Press as well as in her legislative chambers--Morelli’s, Barzini’s, Albertini’s, Malagodi’s, not to speak of Sartorio’s, Ferrero’s, Annie Vivantes, and many more--but it quickens my pulse to remember that it was the voice of a poet which at the final moment was to speak for the Italian soul.