The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe — John Shaqi
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
But even this attempt was a failure. If Edgar made any poetry while in
the water he did not mention it; but he was absent-minded and unsociable
all the way to the river and back--sky-gazing for curious cloud-forms,
listening for bird-notes and hunting wild-flowers, and talking almost
none at all.
In the water he seemed to wake up, and never dived with more grace, or
daring; but no sooner had they started on the way home than he was off
with his dreams again.
Rob Stanard was more successful in his attempts to interest his friend.
In spite of their intimacy at school and on the playground Edgar had up
to this time never visited the Stanard home. Rob had enlisted his
mother's sympathy in the orphan boy and she had suggested that he should
invite Edgar home with him some day. It now occurred to Rob that this
would be a good time to do so, and knowing his friend's fondness for
dumb animals, he offered his pets as an attraction--asking him to come
and see his pigeons and rabbits. His invitation was accepted with
alacrity.
Edgar had seen Rob's mother, but only at a distance. He knew her
reputation as one of the town beauties, but lovely women were not rare
in Richmond, and, beauty-worshipper though he was, he had never had any
especial curiosity in regard to Mrs. Stanard. He was altogether
unprepared for the vision that broke upon him.
Instead of going through the house, Rob had piloted him by way of a side
gate, directly into the walled garden, sweet and gay with roses, lilies
and other flowers of early June.
Mrs. Stanard, who took almost as much pleasure in her children's pets as
they did, was standing near a clump of arbor-vitae, holding in her hands
a "willow-ware" plate from which the pigeons were feeding. She was at
this time, though the mother of Edgar's twelve-year-old chum, not thirty
years of age, and her pensive beauty was in its fullest flower. Against
the sombre background the arbor-vitae made, her slight figure, clad in
soft, clinging white, seemed airy and sylphlike. Her dark, curling hair,
girlishly bound with a ribbon snood, and her large brown eyes, were in
striking contrast to her complexion, which was pale, with the radiant
and warm palor of a tea-rose or a pearl. Her features were daintily
modelled, and like slender lilies were the hands holding the deep blue
plate from which the pigeons--white, grey and bronze, fed--fluttering
about her with soft cooings.
The picture was so much more like a poet's dream than a reality, that
the boy-poet stepped back, with an exclamation of surprise.
"It is only my mother," explained Rob. "She'll be glad to see you."
The next moment she had perceived the boys, and with quick impulse, set
the plate upon the ground and came forward, and before a word of
introduction could be spoken, had taken the visitor's hand between both
her own fair palms, holding it thus, with gentle, gracious pressure, in
a pretty, cordial way she had, while she greeted him.
Public-domain text, read in full here on John Shaqi.
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