The French nobles who throned in Hellas in the thirteenth and
fourteenth centuries of Christendom knew nothing, or next to nothing,
of the old-time glories of their home. The lions of Mycenæ told the
occupants of Peloponnesus nothing of the king of men and his murderous
queen, and the vengeance of Orestes leaping like a bright star to his
aim. The chiefs in Attica viewed with indifferent eyes the masterpieces
of antiquity still standing intact or almost blank of ravage upon the
Attic plain and on the Attic hill. But the French lords of Peloponnesus
and the French lords of Athens had a very liberal and deep affection
for the civilization which they carried with them from their sweet
land of France, and for those chivalrous institutions which made life
one high delight to them. The best dream of the French gentlemen was
to make the land of Greece as like the land of France as might be in
all the grace and all the gayeties of life. To this end they lived in
Attica as they lived in Languedoc, in Lacedæmon as in Limousin, and
their greatest pleasure in their Hellenic empery was to make believe
that they were in Paris or Provence. In the land where the Grecian gods
had been hymned by Pindar, moulded by Phidias, painted by Apelles,
and caricatured by Aristophanes, the adventurous French knights, who
tricked themselves out with the titles of cities of Sparta and cities
of Attica, bore to the golden land they governed all the pride and pomp
and color that made their France so lovely in their eyes. They strove
to make their lives as luxurious and as sumptuous as if they were
kings of France and not lords of Grecian duchies, and they succeeded
greatly in their purpose. French of Paris, French of Provence, French
of Picardy, sang of love or commanded for battle in places where
Socrates had died yesterday and Atreus the day before yesterday. All
the parament of chivalry paraded, a riot of color and luxury, where
Lycurgus had fed a strenuous people on bitter bread and brackish water,
or played its games of mimic war and held its tribunals of fantastic
love in the pale presence of the theatre of Dionysos.
Public-domain text, read in full here on John Shaqi.
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