The Duchess of Rosemary Lane: A Novel — John Shaqi
The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
Aroused by the violent banging of the street door, Mrs. Chester starts
from the bed. The rain is softly pattering in the street, and she
hears the sound of uncertain footsteps groping up the stairs.
"It is the new lodger," she murmurs. "He might have made less noise
with the door." Then, rubbing her eyes, she calls, "Sally, are you
awake?"
Sally hears her mother's voice through a mist of softly falling rain,
and murmuring some indistinct words in reply, cuddles closer to her
treasure-baby, and the next moment is asleep again.
"The brute!" exclaims Mrs. Chester. "Waking the children with his row!
I'll talk to him to-morrow."
Standing in the dark, she listens. The person who is ascending the
stairs to the bedroom in the upper part of the house staggers and
stumbles on his way. Thus much Mrs. Chester is conscious of, but she
does not hear his low moans, nor see him shake and tremble, as he
drags his feet along in fear and dread. When he reaches his room, he
falls, dressed, upon the bed, and claws at the air, and picks at the
bedclothes in ceaseless unrest, being beset by demons of every shape
and form, presenting themselves in a thousand monstrously-grotesque
disguises.
Mrs. Chester has heard sufficient to cause her to form a just
conclusion.
"Drunk of course," she murmurs; "and Dick'll be as bad when he comes
home."
Then she lights a candle, and patiently resumes her task of stitching
and patching.
CHAPTER VI.
SALLY ALSO HAS A DREAM.
Sounds of music in the air; strange and fantastic shapes and forms;
blooming flowers, and grass of rarest shades of green; glittering
water, for white swans and paper ships to sail on; waving branches
laden with dew-diamonds; birds flying on silver threads that reach
from heaven to earth; and standing in the midst of all these wonders,
little Sally Chester herself, in her ragged clothes. Comes a
procession from the skies, heralded by a glittering white star, which
widens into an avenue of light, through which the actors move. Comes a
small drummer-boy in the British army, with a drum slung round his
shoulders; behind him trots a donkey, familiar to the neighbourhood,
who smiles grotesquely at Sally, and asks her when she is going to
faint dead away again. The entire contents of a toy and cake shop
follow the eccentric donkey. First appear the royal beefeaters,
represented by men cut out of rich brown gingerbread, with features
formed of Dutch metal, their legs and arms also being magnificently
slashed with strips of the same; their features are diabolical, but
this does not lessen their attractiveness. Then come a legion of
wooden dolls, with not a vestige of clothing on their bodies, their
staring expressionless features testifying to their shamelessness and
their indifference to public opinion; then the animals from Noah's
arks, so indiscriminately coupled as to betray a disgraceful
Scriptural ignorance; then tin soldiers on slides, their outstretched
Public-domain text, read in full here on John Shaqi.
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